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Shloka 365

इति श्रीमहा भारते शतसाहरूयां संहितायां वैयासिक्यां शान्तिपर्वणि मोक्षधर्मपर्वणि उज्छवृत्त्युपाख्याने पञज्चषष्ट्यधिकत्रिशततमो<ध्याय:

iti śrīmahābhārate śatasāhasryāṃ saṃhitāyāṃ vaiyāsikyāṃ śāntiparvaṇi mokṣadharmaparvaṇi ujjhavṛttyupākhyāne pañcaṣaṣṭyadhikatriśatatamo 'dhyāyaḥ

Así, en el sagrado Mahābhārata—en la compilación vaiyāsika de la Saṃhitā de cien mil versos—en el Śānti Parvan, en la sección Mokṣa-dharma, en el episodio (upākhyāna) relativo a Ujjhavaṛtti, concluye el capítulo trescientos sesenta y cinco (365).

इतिthus; end-quote marker
इति:
TypeIndeclinable
Rootइति
श्रीglory; auspiciousness; honorific
श्री:
TypeNoun
Rootश्री
FormFeminine, Nominative, Singular
महाभारतेin the Mahābhārata
महाभारते:
Adhikarana
TypeNoun
Rootमहाभारत
FormNeuter, Locative, Singular
शतसाहस्र्यांin the (collection) of one hundred thousand (verses)
शतसाहस्र्यां:
Adhikarana
TypeAdjective
Rootशतसाहस्री
FormFeminine, Locative, Singular
संहितायांin the compilation; in the collection
संहितायां:
Adhikarana
TypeNoun
Rootसंहिता
FormFeminine, Locative, Singular
वैयासिक्यांin the Vyāsa-tradition; composed by Vyāsa
वैयासिक्यां:
Adhikarana
TypeAdjective
Rootवैयासिकी
FormFeminine, Locative, Singular
शान्तिपर्वणिin the Śānti-parvan
शान्तिपर्वणि:
Adhikarana
TypeNoun
Rootशान्तिपर्वन्
FormNeuter, Locative, Singular
मोक्षधर्मपर्वणिin the Mokṣa-dharma section
मोक्षधर्मपर्वणि:
Adhikarana
TypeNoun
Rootमोक्षधर्मपर्वन्
FormNeuter, Locative, Singular
उच्छवृत्त्युपाख्यानेin the episode (upākhyāna) of Ucchavṛtti
उच्छवृत्त्युपाख्याने:
Adhikarana
TypeNoun
Rootउच्छवृत्ति-उपाख्यान
FormNeuter, Locative, Singular
पञ्चषष्ट्यधिकत्रिशततमःthe three-hundred-sixty-fifth (chapter)
पञ्चषष्ट्यधिकत्रिशततमः:
TypeAdjective
Rootपञ्चषष्टि-अधिक-त्रिशत-तम
FormMasculine, Nominative, Singular
अध्यायःchapter
अध्यायः:
Karta
TypeNoun
Rootअध्याय
FormMasculine, Nominative, Singular

भीष्म उवाच

M
Mahābhārata
V
Vyāsa (implied by vaiyāsikī)
Ś
Śānti Parva
M
Mokṣa-dharma Parva
U
Ujjhavaṛtti (episode title)

Educational Q&A

This line is a colophon marking the close of a chapter and locating it within the Mahābhārata’s structure (Śānti Parva → Mokṣa-dharma section → Ujjhavaṛtti episode). Rather than giving a new doctrine, it frames the preceding material as part of the liberation-oriented teachings of Mokṣa-dharma.

The narrator/editorial voice signals the end of the chapter, identifying the larger work (Mahābhārata), the recension (Vaiyāsika), the parva (Śānti), the subsection (Mokṣa-dharma), and the embedded tale (Ujjhavaṛtti). It functions as a formal closure and cataloging marker.