Gadāyuddhe Kṛṣṇopadeśaḥ (Kṛṣṇa’s Counsel in the Mace-Duel) — Śalya-parva 57
ददृशुस्ते महाराज भीमसेनस्य तां गदाम् | राजेन्द्र! दर्शकोंने भीमसेनकी उस भयंकर गदाको इन्द्रके वज्ञ और यमराजके दण्डके समान उठी हुई देखा ।। आविध्यन्तं गदां दृष्टवा भीमसेनं तवात्मज:
dadṛśus te mahārāja bhīmasenasya tāṁ gadām | rājendra! darśakāḥ bhīmasenasya tāṁ bhayaṅkarāṁ gadām indrasya vajrasamaṁ yamarājasya daṇḍasamaṁ ca udyatāṁ dadṛśuḥ || āvidhyantaṁ gadāṁ dṛṣṭvā bhīmasenaṁ tavātmajaḥ |
Sañjaya dijo: Oh gran rey, los espectadores contemplaron la maza de Bhīmasena—terrible, alzada en lo alto—como el rayo de Indra y como la vara de castigo de Yama. Al ver a Bhīmasena blandir y hacer girar aquella maza, tu hijo (Duryodhana) la miró, enfrentado a la fuerza inminente de la retribución en el campo de batalla.
संजय उवाच
The verse frames battlefield power in moral-symbolic terms: Bhīma’s mace is likened to Indra’s vajra (divine force) and Yama’s daṇḍa (punitive justice), suggesting that violence in this climactic duel is also the working out of consequence and retribution within the epic’s dharmic horizon.
Sañjaya reports to Dhṛtarāṣṭra that the spectators see Bhīma raising and whirling his fearsome mace. The description sets the scene for the decisive mace-fight atmosphere, with Duryodhana (the king’s son) facing Bhīma’s imminent attack.