Shloka 19
मयि प्रलीने प्रलयं व्रजन्ति सर्वे प्राणा: प्राणभूतां शरीरे । मयि प्रचीर्णे च पुनश्चरन्ति श्रेष्ठो हाहं पश्यत मां प्रलीनम्,“मेरे लीन होनेपर प्राणियोंके शरीरमें स्थित सभी प्राण लीन हो जाते हैं तथा मेरे संचरित होनेपर सब-के-सब संचार करने लगते हैं। इसलिये मैं ही सबसे श्रेष्ठ हूँ। देखो, अब मैं लीन हो रहा हूँ (फिर तुम्हारा भी लय हो जायगा)”
mayi pralīne pralayaṁ vrajanti sarve prāṇāḥ prāṇabhūtāṁ śarīre | mayi pracīrṇe ca punaś caranti śreṣṭho hāhaṁ paśyata māṁ pralīnam ||
Dijo el brāhmaṇa: «Cuando me disuelvo, todos los alientos vitales—los que constituyen la vida en los seres encarnados—también se disuelven en el cuerpo. Y cuando vuelvo a moverme, todos vuelven a moverse. Por eso soy el más eminente. Mirad: ahora entro en la disolución (y después seguirá también vuestra disolución)».
(ब्राह्मण उवाच
Educational Q&A
The verse asserts the dependence of all embodied life-functions (prāṇas) on a governing principle identified here as the speaker’s ‘I’: when that principle withdraws, the prāṇas cease; when it becomes active, they function again. It frames a hierarchy in which the animating principle is ‘foremost’ because it conditions the operation of the vital breaths.
In a didactic exchange, the brāhmaṇa speaker makes a demonstrative claim of superiority by describing (and theatrically indicating) his own ‘dissolution’ and ‘re-emergence,’ using it to show that the prāṇas in the body follow his state—ceasing when he withdraws and moving when he moves.