Shloka 30

Varaha-Pradurbhava Context: Prahlada’s Bhakti, Narasimha’s Ugra-Form, and Shiva’s Sharabha Intervention

Devanagari script

न जगाम द्विजाः शान्तिं मानयन्योनिमात्मनः यो नृसिंहस्तवं भक्त्या पठेद्वार्थं विचारयेत्

Transliteration

na jagāma dvijāḥ śāntiṃ mānayanyonimātmanaḥ yo nṛsiṃhastavaṃ bhaktyā paṭhedvārthaṃ vicārayet

Translation

Un nacido dos veces no alcanza la paz si sólo honra su linaje y su identidad egoica; pero quien, con bhakti, recita el himno a Narasiṁha y medita su sentido, obtiene la serenidad interior—aflojando el pāśa (atadura) que sujeta al paśu (alma) a la soberbia del yo y volviendo la mente hacia el Señor, el Pati.

Word by Word

• na: not

• jagāma: attains/goes to

• dvijāḥ: the twice-born (brāhmaṇa etc.)

• śāntim: peace, tranquillity

• mānayan: honoring, esteeming

• yonim: womb, origin, birth

• ātmanaḥ: of oneself

• yaḥ: whoever

• nṛsiṃha-stavam: the hymn/praise of Narasiṁha

• bhaktyā: with devotion

• paṭhet: should recite/reads

• vā: and/or

• artham: the meaning

• vicārayet: should contemplate, reflect upon

Speaker

Suta Goswami (narrating to the sages of Naimisharanya)

Characters & Entities

• Narasimha
• Shiva

FAQs

What is the importance of this verse in the context of Linga worship?

It teaches that mere external status (birth/identity) does not yield śānti; true fruit comes from devotional recitation joined with artha-vicāra—an inner discipline aligned with Linga-pūjā’s aim of turning the paśu toward Pati.

How does this verse describe the nature of Shiva (Shiva-tattva)?

By stressing peace through devotion and discernment, it implies Shiva-tattva as the Pati who grants śānti by dissolving pasha (bondage) rooted in ahaṅkāra; the practice-oriented tone fits Shaiva Siddhānta’s emphasis on grace-mediated purification.

What ritualistic or Yogic practice is highlighted here?

Stotra-pāṭha with bhakti plus artha-vicāra (contemplation of meaning)—a svādhyāya-based sādhana that supports Pāśupata-style inner detachment from ego and identity.