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Shloka 74

ध्यानयज्ञः, संसार-विष-निरूपणम्, पाशुपतयोगः, परा-अपरा विद्या, चतुर्वस्था-विचारः (अध्यायः ८६)

मनोबुद्धिर् अहङ्कारश् चित्तं चेति चतुष्टयम् अध्यात्मं पृथगेवेदं चतुर्दशविधं स्मृतम्

manobuddhir ahaṅkāraś cittaṃ ceti catuṣṭayam adhyātmaṃ pṛthagevedaṃ caturdaśavidhaṃ smṛtam

Mente, intelecto, sentido del yo (ahaṅkāra) y citta, el depósito de impresiones mentales: este conjunto cuádruple se enseña como el adhyātma, el ámbito interior distinto; y este adhyātma se recuerda como de catorce clases cuando se analiza en su plena clasificación interna.

manasmind (the doubting, oscillating faculty)
manas:
buddhiḥintellect/discernment (decisive knowing)
buddhiḥ:
ahaṅkāraḥego-principle (I-maker, self-appropriation)
ahaṅkāraḥ:
cittammind-stuff/mental continuum (memory and latent impressions)
cittam:
catuṣṭayama set of four
catuṣṭayam:
adhyātmamthe inner realm, pertaining to the self-instrument
adhyātmam:
pṛthakdistinct/separate (as a category)
pṛthak:
evaindeed
eva:
idamthis
idam:
caturdaśa-vidhamfourteenfold/in fourteen modes
caturdaśa-vidham:
smṛtamis remembered/declared in tradition
smṛtam:

Suta Goswami (narrating the Linga Purana teaching to the sages of Naimisharanya; conveying a doctrinal enumeration)

S
Shiva

FAQs

It frames Linga worship as inner purification: the devotee must refine mind, intellect, ego, and chitta so the pashu (soul) becomes fit for Shiva’s grace (Pati) and loosens pasha (bondage).

By distinguishing the inner instruments (adhyātma) from the ultimate Lord, it implies Shiva as Pati—transcendent witness and liberator—while manas-buddhi-ahaṅkāra-citta belong to the conditioned pashu under pasha.

Antaḥkaraṇa-śuddhi (purification of the inner instrument) through Pashupata-oriented discipline—self-observation, restraint, and meditative absorption—so worship is not merely external but inwardly transformative.