उमामहेश्वरव्रतं—पञ्चाक्षरमन्त्रस्य माहात्म्यं, न्यासः, जपविधिः, सदाचारः, विनियोगः
सर्वे ते जपयज्ञस्य कलां नार्हन्ति षोडशीम् माहात्म्यं वाचिकस्यैव जपयज्ञस्य कीर्तितम्
sarve te japayajñasya kalāṃ nārhanti ṣoḍaśīm māhātmyaṃ vācikasyaiva japayajñasya kīrtitam
Todos esos ritos no alcanzan ni la decimosexta parte del japa-yajña. Así se proclama la grandeza del japa-yajña vāchika, el japa recitado en voz—como medio directo hacia Pati, quien desata al paśu de las ligaduras del pāśa.
Suta Goswami (narrating to the sages of Naimisharanya)
It elevates mantra-japa as an inner yajña that can surpass external ritual measures, aligning Linga worship with interiorized devotion and direct Shiva-upāsanā.
Shiva is implied as Pati—the supreme Lord approachable through japa—whose grace releases the paśu (individual soul) from pāśa (bondage), making inner practice spiritually decisive.
Vāchika-japa (aloud recitation) is highlighted as a japa-yajña, a Shaiva sādhanā that supports Pashupata-oriented purification and steady remembrance of Mahādeva.