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Shloka 21

Adhyaya 79 — Bhakti-Mahima and Linga-Archana-Vidhi

Condensed Ritual Sequence

स्तुत्वा च देवमीशानं पुनः सम्पूज्य शङ्करम् ईशानं पुरुषं चैव अघोरं वाममेव च

stutvā ca devamīśānaṃ punaḥ sampūjya śaṅkaram īśānaṃ puruṣaṃ caiva aghoraṃ vāmameva ca

Habiendo alabado al Señor Īśāna y, de nuevo, habiendo adorado debidamente a Śaṅkara, el devoto debe contemplar y venerar a Śiva como Īśāna, como Puruṣa (Tatpuruṣa), como Aghora y como Vāma (Vāmadeva).

स्तुत्वाhaving praised
स्तुत्वा:
and
:
देवम्the Deity/Lord
देवम्:
ईशानम्Īśāna (the ruling, transcendent face of Śiva)
ईशानम्:
पुनःagain
पुनः:
सम्पूज्यhaving worshipped completely/duly
सम्पूज्य:
शङ्करम्Śaṅkara (the auspicious one, Śiva)
शङ्करम्:
ईशानम्Īśāna aspect
ईशानम्:
पुरुषम्Puruṣa/Tatpuruṣa aspect (the cosmic person, the indwelling Lord)
पुरुषम्:
च एवand indeed
च एव:
अघोरम्Aghora aspect (non-terrifying, grace that removes भय and पाश)
अघोरम्:
वामम् एवVāma/Vāmadeva aspect (the beautiful, sustaining, Śakti-infused form)
वामम् एव:
and
:

Suta Goswami (narrating Shiva-puja procedure within the Linga Purana discourse)

S
Shiva
S
Shankara
I
Ishana
T
Tatpurusha
A
Aghora
V
Vamadeva

FAQs

It frames Linga-puja as more than offering rites: the worshipper praises and re-worships Śiva while inwardly aligning with the Pañcabrahma (five-fold) reality of the Linga—recognizing Śiva as Pati who sanctifies the ritual and liberates the pashu from pāśa.

Śiva-tattva is presented as multi-aspected yet one: Īśāna (sovereign-transcendent), Tatpuruṣa/Puruṣa (immanent indweller), Aghora (grace that removes fear and impurity), and Vāmadeva (beauty, preservation, Śakti-filled auspiciousness).

A puja-vidhi joined to contemplative yoga: after stuti and formal worship, the sādhaka performs Pañcabrahma-smaraṇa (meditative identification of Śiva’s aspects), a Pāśupata-oriented inner practice supporting purification and release from bondage.