सोमवर्णनम्
Graha–Ratha–Aśva Varṇana, Dhruva-Nibaddha Gati, Maṇḍala-Pramāṇa, Graha-Arcana
उद्धृत्य पृथिवीछायां निर्मितां मण्डलाकृतिम् स्वर्भानोस्तु बृहत्स्थानं तृतीयं यत् तमोमयम्
uddhṛtya pṛthivīchāyāṃ nirmitāṃ maṇḍalākṛtim svarbhānostu bṛhatsthānaṃ tṛtīyaṃ yat tamomayam
Habiendo extraído la sombra de la Tierra, formada como un disco circular (maṇḍala), existe en verdad la vasta tercera estación de Svarbhānu, constituida de oscuridad. En este orden cósmico, el poder velador del tamas obra como condición que cubre al paśu (alma atada), mientras que Pati (Śiva) solo permanece como el iluminador sin sombra, más allá de todo eclipse.
Suta Goswami (narrating to the sages of Naimisharanya)
By describing the “station of darkness” linked with Svarbhānu, the verse frames obscuration as a cosmic principle; Linga worship is presented (in Shaiva understanding) as turning the pashu away from tamasic shadow toward Śiva, the self-luminous Pati symbolized by the Linga.
Even while speaking of shadow and darkness in the cosmos, the implied Shaiva Siddhānta contrast is that Śiva-tattva is not a product of tamas; Śiva is the transcendent light (prakāśa) in which shadows appear, and by whom bondage (pāśa) is ultimately removed.
The verse is primarily cosmographic, but it supports a Pāśupata-Yogic takeaway: reduce tamas (inner eclipse) through japa of Śiva-mantra, sattvic discipline, and Linga-arcana aimed at loosening pāśa and stabilizing awareness in Pati.