Śivapūjā-vidhi: Purifications, Sūrya–Graha Mantras, Nyāsa, and Bhūtaśuddhi leading to Śivoham-bhāva
दक्षैः करैर्वामकैश्च भुजङ्गं चाक्षसूत्रकम् / डमरुकं नीलोत्पलं बीजपूरकमुत्तमम्
dakṣaiḥ karairvāmakaiśca bhujaṅgaṃ cākṣasūtrakam / ḍamarukaṃ nīlotpalaṃ bījapūrakamuttamam
En las manos derechas y también en las izquierdas sostiene una serpiente y un rosario; porta además el tambor ḍamaru, el loto azul y un excelente fruto de cidra.
Lord Vishnu (speaking to Garuda/Vinata-putra)
Concept: Dhyāna through precise iconography (mūrti-lakṣaṇa) steadies the mind and makes worship effective.
Vedantic Theme: Eka-citta (one-pointedness) as a support for inner purification (antaḥkaraṇa-śuddhi).
Application: Use the described attributes as a visualization checklist during japa and pūjā to reduce distraction and deepen devotion.
Primary Rasa: adbhuta
Secondary Rasa: shanta
Related Themes: Garuda Purana 1.23.57 (Sadāśiva’s tri-śakti and meditation); Garuda Purana 1.23 (Śivādi-pūjā context)
This verse functions as an identifying iconographic description: the deity is recognized through the specific emblems held, which also signal qualities like mastery over time/sound (ḍamaru), purity and auspiciousness (lotus), and sacred power/authority (serpent, rosary).
Indirectly: rather than describing the soul’s journey, it supports devotional and ritual context by precisely describing divine attributes used for remembrance, worship, and correct identification in narration.
Use the verse for accurate contemplation or worship: visualize the deity with these emblems, and let the rosary/lotus symbolism reinforce disciplined practice and purity of conduct.