Śivapūjā-vidhi: Purifications, Sūrya–Graha Mantras, Nyāsa, and Bhūtaśuddhi leading to Śivoham-bhāva
अधर्ंमाद्यं च वह्न्यादौ मध्ये पद्मस्य कर्णिके / वामाज्येष्ठा च पूर्वादौ रौद्री काली च पूर्षदः
adharṃmādyaṃ ca vahnyādau madhye padmasya karṇike / vāmājyeṣṭhā ca pūrvādau raudrī kālī ca pūrṣadaḥ
Comenzando por Adharma y Agni, dispuestos según sus direcciones respectivas, se los coloca dentro del loto—en su centro, en la karnikā, el pericarpio. Vāmā y Jyeṣṭhā se sitúan desde el inicio oriental; y del mismo modo Raudrī y Kālī, junto con Pūruṣada, se asignan a sus lugares.
Lord Vishnu (in dialogue with Garuda/Vinata-putra)
Concept: Forces of order and disorder are not denied but ritually located and subordinated; the mandala integrates opposites to prevent psychic and ritual imbalance.
Vedantic Theme: Transcending dvandva by witnessing and containing; prakṛti’s guṇas and their fierce forms are placed under conscious regulation.
Application: In contemplative practice, acknowledge negative impulses (adharma) without suppression; ‘place’ them at the periphery under discipline, keeping the center (karnikā) clear and steady.
Primary Rasa: adbhuta
Secondary Rasa: bhayanaka
Type: inner mandala/lotus diagram
Related Themes: Garuda Purana 1.23.16–20 (āvaraṇa-devatā placement and mantra sequence)
This verse indicates a structured, directional placement of forces/deities within a lotus diagram, implying ritual order (nyāsa/maṇḍala) used to protect and regulate the rite.
While not describing the soul’s travel directly, it supports the ritual technology often associated with funerary and protective procedures—arranging powers in a lotus to safeguard transitions and remove obstacles.
Maintain discipline and clarity in any sacred practice: follow an ordered method, keep ethical conduct (avoid adharma), and treat rituals as structured acts of remembrance and protection rather than improvisation.