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Varaha Purana 96.7 — Adhyaya 96, Shloka 7

The Threefold Power: The Raudrī Observance and the Manifestation of Chāmuṇḍā

उत्तिष्ठतस्तस्य महासुरस्य समुद्रतोयं ववृद्धेऽतिमात्रम् ॥ अनेकनकप्रदमीनजुष्टमालावयपर्वतसानुदेशान्

uttiṣṭhatas tasya mahāsurasya samudratoyaṃ vavṛddhe'timātram || anekanaka-prada-mīna-juṣṭa-mālāvaya-parvata-sānudeśān

As that great Asura rose up, the ocean’s waters swelled excessively, flooding regions—mountain slopes and tracts—abounding in many kinds of precious metals and frequented by fish.

उत्तिष्ठतःof (him) rising up
उत्तिष्ठतः:
Sambandha (सम्बन्ध/षष्ठी)
TypeAdjective
Rootउत्-स्था (धातु: स्था ‘to stand’), शतृ (वर्तमानकृदन्त)
Formकृदन्तः (शतृ-प्रत्ययान्त), षष्ठी (सम्बन्ध), एकवचनम्; ‘of (him) who was rising/standing up’
तस्यof him
तस्य:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formसर्वनाम, पुंलिङ्गे/नपुंसकलिङ्गे, षष्ठी, एकवचनम्
महा-असुरस्यof the great demon
महा-असुरस्य:
Sambandha (सम्बन्ध/षष्ठी)
TypeNoun
Rootमहा + असुर (प्रातिपदिक)
Formपुंलिङ्गे, षष्ठी, एकवचनम्; ‘of the great demon’
समुद्र-तोयम्the ocean-water
समुद्र-तोयम्:
Karta (कर्ता)
TypeNoun
Rootसमुद्र + तोय (प्रातिपदिक)
Formनपुंसकलिङ्गे, प्रथमा, एकवचनम्; ‘ocean-water’
ववृद्धेgrew/increased
ववृद्धे:
Kriyā (क्रिया)
TypeVerb
Rootवृध् (धातु)
Formलिट् (Perfect), आत्मनेपदम्, प्रथमपुरुषः, एकवचनम्
अति-मात्रम्excessively
अति-मात्रम्:
Kriyā-viśeṣaṇa (क्रियाविशेषण)
TypeIndeclinable
Rootअति (उपसर्ग/अव्यय) + मात्रा (प्रातिपदिक)
Formअव्ययीभावसमासः; अव्ययवत् प्रयोगः; ‘excessively/immeasurably’
अनेकmany
अनेक:
Samāsa-aṅga (समासाङ्ग)
TypeAdjective
Rootअनेक (प्रातिपदिक)
Form(compound member)
नकcrocodile/sea-creature (naka)
नक:
Samāsa-aṅga (समासाङ्ग)
TypeNoun
Rootनक (प्रातिपदिक)
Form(compound member; rare)
प्रदgiving/bestowing
प्रद:
Samāsa-aṅga (समासाङ्ग)
TypeAdjective
Rootप्रद (प्रातिपदिक)
Form(compound member)
मीनfish
मीन:
Samāsa-aṅga (समासाङ्ग)
TypeNoun
Rootमीन (प्रातिपदिक)
Form(compound member)
जुष्टinhabited/frequented
जुष्ट:
Samāsa-aṅga (समासाङ्ग)
TypeAdjective
Rootजुष् + क्त (धातु: जुष् ‘to enjoy/inhabit’ + क्त)
Form(compound member; kta-ppp)
मालावयMālāvaya (name of a region/mountain)
मालावय:
Samāsa-aṅga (समासाङ्ग)
TypeNoun
Rootमालावय (प्रातिपदिक)
Form(compound member; toponym/region name)
पर्वतmountain
पर्वत:
Samāsa-aṅga (समासाङ्ग)
TypeNoun
Rootपर्वत (प्रातिपदिक)
Form(compound member)
सानु-देशान्slope-regions/tracts
सानु-देशान्:
Karma (कर्म)
TypeNoun
Rootसानु + देश (प्रातिपदिक)
Formपुंलिङ्गे, द्वितीया (कर्म), बहुवचनम्; ‘regions/tracts of mountain-slopes’

Varāha (default, not explicit in fragment)

Varaha Avatara Context: {"is_varaha_focus":false,"aspect_highlighted":"None","boar_form_detail":"None","earth_interaction":"None"}

Bhu Devi Dialogue: {"is_dialogue":false,"speaker_role":"None","bhu_devi_state":"None","key_question":"None"}

Mathura Mandala: {"is_mathura_related":false,"specific_site":"None","parikrama_context":"None","krishna_connection":"None"}

Dharma Shastra: {"has_dharma_rule":false,"topic":"None","instruction_summary":"None","karmic_consequence":"None"}

Vrata Mahatmya: {"has_vrata":false,"vrata_name":"None","tithi_month":"None","promised_fruit":"None"}

Cosmic Boar Symbolism: {"has_symbolism":true,"symbolic_interpretation":"The asura’s emergence causing ocean-swell signals prakṛti’s turbulence when adharma rises; the ‘ocean’ functions as the undifferentiated mass that overflows boundaries when cosmic restraint (ṛta) is disturbed.","yajna_varaha_imagery":"Implicit contrast: when yajña/ṛta is disrupted, waters exceed their ‘maryādā’ (bounds); later Varāha restores boundaries by lifting/stabilizing Earth.","vedantic_connection":"Adharmic agitation of guṇas (rajas/tamas) manifests as environmental upheaval; restoration requires sattvic divine intervention to re-establish order and limits."}

Philosophical Teaching: {"has_teaching":true,"teaching_type":"cosmic ethics / ecology-as-dharma","core_concept":"When destructive power rises, the first symptom is boundary-collapse—waters transgress limits, endangering Earth’s stability.","practical_application":"Uphold ‘maryādā’ (limits)—social, ethical, and ecological; recognize disorder early by its spillover effects and respond with stabilizing, dharmic action."}

Subject Matter: ["Cosmology","Oceanography (mythic)","Environmental Disturbance"]

Primary Rasa: bhayānaka

Secondary Rasa: adbhuta

Type: mythic-environmental geography

Related Themes: Varāha Purāṇa 96 (environmental disturbance accompanying asura uprising)

Visual Art Cues: {"scene_description":"A colossal asura rises; behind him the ocean bulges and surges, spilling over coasts and climbing mineral-bright mountain slopes, fish churning in foaming waters.","item_prompts":["towering asura emerging","swollen ocean wave-wall","flooded mountain slopes","glints of gold/silver ores in rocks","schools of fish in turbulent water","spray and foam","darkened sky"],"kerala_mural_prompt":"Kerala mural style: stylized curling waves, patterned fish; mountains with decorative mineral motifs; asura rendered with bold outlines and dramatic posture.","tanjore_prompt":"Tanjore style: embossed wave forms with gold highlights on mineral-bearing mountains; asura figure with ornate jewelry; high-contrast blues and gold.","mysore_prompt":"Mysore style: elegant gradations in water, detailed fish; subtle mineral shimmer on slopes; controlled drama in composition.","pahari_prompt":"Pahari style: rhythmic wave bands, simplified mountains with bright mineral dots; narrative clarity with the asura as a vertical axis."}

Audio Atmosphere: {"recitation_mood":"ominous, swelling tension","suggested_raga":"Todi","pace":"medium","voice_tone":"grave, rising intensity on ‘vavṛddhe’ and ‘atimātram’"}

C
Classical Literature
P
Purāṇic Narrative
A
Ancient Geography
E
Environmental Imagery

FAQs

It exemplifies Purāṇic 'cosmic sympathy'—natural elements respond to moral-political upheaval—an important feature of Indian mythic historiography.

The verse mentions generic mountain slopes and regions near the ocean; no single identifiable toponym is provided.

The narrative suggests that violent ambition destabilizes not only society but also the natural order, a motif later used to frame stewardship and restraint.

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