शिवविहारवर्णनम् (Śivavihāra-varṇana) — “Description of Śiva’s Divine Pastimes/Sojourn”
तत्र गत्वा हरिर्देवैर्मया च सुरवल्लभः । ययौ शिववरस्थानं शंकरं द्रष्टुकाम्यया
tatra gatvā harirdevairmayā ca suravallabhaḥ | yayau śivavarasthānaṃ śaṃkaraṃ draṣṭukāmyayā
Having gone there, Hari—beloved of the gods—together with the devas and with me, proceeded to Śiva’s most excellent abode, desiring to behold Śaṅkara.
Brahmā (narrating to Nārada within the Rudra Saṃhitā context)
Tattva Level: pati
Shiva Form: Sadāśiva
Jyotirlinga: Kedāranātha
Sthala Purana: The verse intensifies the Kailāsa approach into entry toward Śiva’s ‘vara-sthāna’ (supreme abode). In Himalayan Jyotirliṅga imagination, Kedāranātha functions as a terrestrial gateway to Śiva’s mountain-presence sought by gods and humans alike.
Significance: Frames darśana (draṣṭukāmyā) as salvific: seeking to behold Śaṅkara is itself a movement from pāśa-bound anxiety toward anugraha.
Shakti Form: Pārvatī
Role: nurturing
The verse highlights that even exalted beings like Hari and the devas seek Śaṅkara’s darśana, implying that grace (anugraha) arises from humbly approaching the Lord; in Shaiva Siddhānta, turning toward Pati (Shiva) is the beginning of release from pāśa (bondage).
The desire to “see Śaṅkara” points to Saguna-upāsanā—approaching Shiva in a worshipable, accessible form; in practice this culminates in seeking Shiva’s presence through Liṅga-darśana and pūjā as a doorway to realizing His transcendent nature.
A practical takeaway is to cultivate darśana-bhāva: visit a Shiva temple for Liṅga-darśana, offer bilva leaves and water, and repeat the Pañcākṣarī mantra “Om Namaḥ Śivāya” with the intention of beholding Shiva inwardly and outwardly.