Shloka 2.7.6
मन्थराप्रवेशः — Manthara Observes Ayodhya and Incites Kaikeyi
पताकाभिर्वरार्हाभिर्ध्वजैश्च समलङ्कृताम्।वृतां छन्दपथैश्चापि शिरस्स्नातजनैर्वृताम्।।2.7.3।।माल्यमोदकहस्तैश्च द्विजेन्द्रैरभिनादिताम्।शुक्लदेवगृहद्वारां सर्ववादित्रनिस्वनाम्।।2.7.4।।सम्प्रहृष्टजनाकीर्णां ब्रह्मघोषाभिनादिताम्।प्रहृष्टवरहस्त्यश्वां सम्प्रणर्दितगोवृषाम्।।2.7.5।।प्रहृष्टमुदितैः पौरैरुच्छ्रितध्वजमालिनीम्।अयोध्यां मन्थरा दृष्ट्वा परं विस्मयमागता।।2.7.6।।
prahṛṣṭamuditaiḥ pauraiḥ ucchritadhvajamālinīm |
ayodhyāṃ mantharā dṛṣṭvā paraṃ vismayam āgatā || 2.7.6 ||
Seeing Ayodhyā adorned with garlands and rows of raised banners, and its citizens exultant with joy, Mantharā was overcome with great astonishment.
The city of Ayodhya was decorated with costly banners and pennants. The labyrinthine roads were crowded with people who had (finished) their headbath and were wandering at will. The temples with their doors painted white were reverberating with the chanting from the Vedas by the best of brahmins holding garlands and sweetmeats in their hands and with sounds of all kinds of musical instruments. The city was filled with spirited horses and elephants. The bulls were bellowing and the cows were lowing. The citizens with great joy raised the penants encircling the city of Ayodhya. All this left Manthara astonished.
The verse foregrounds collective civic harmony: a city united in rightful celebration (linked to dharmic kingship and orderly public life) becomes a visible sign of social well-being.
Mantharā looks out and sees Ayodhyā in festive joy with raised flags and jubilant citizens, and she is struck with astonishment—setting up her subsequent questioning about what has happened.
On the civic level, the citizens’ shared joy and orderly festivity suggest loyalty and communal concord; for Mantharā, the verse emphasizes her alert observation that prompts inquiry.