HomeRamayanaAyodhya KandaSarga 65Shloka 2.65.6
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Shloka 2.65.6

अयोध्याकाण्डे पञ्चषष्टितमः सर्गः — Daśaratha’s Death Discovered in the Palace (Morning Rites Turn to Lament)

व्याहृताः पुण्यशब्दाश्च वीणानां चापि निस्स्वनाः।आशीर्गेयं च गाथानां पूरयामास वेश्म तत्।।।।

vyāhṛtāḥ puṇyaśabdāś ca vīṇānāṁ cāpi nissvanāḥ | āśīrgēyaṁ ca gāthānāṁ pūrayāmāsa veśma tat ||

Sacred utterances, the resonant notes of vīṇās, and the benedictory chants of metrical hymns filled that palace-hall completely.

The sacred songs of bards and panegyrists, notes of veena, chantings of metrical hymns and benedictory verses filled the palace.

V
vīṇā
G
gāthā
Ā
āśīḥ (benediction)
V
veśma (palace)

Dharma is upheld through maṅgala (auspicious) speech and art: sacred sound and disciplined performance are treated as supports of social and ritual order.

Multiple streams of sound—chants, instruments, and benedictions—combine to create a ceremonial atmosphere inside the palace.

Reverence and cultural refinement—valuing sacred utterance and regulated artistry in public life.