Shloka 2.51.22

अयोध्याकाण्डे एकपञ्चाशः सर्गः — Guha’s Vigil and Lakṣmaṇa’s Lament (Night on the riverbank)

Devanagari script

रम्यचत्वरसंस्थानां सुविभक्तमहापथाम्।हर्म्यप्रासादसम्पन्नाम् गणिकावरशोभिताम्।।2.51.21।।रथाश्वगजसम्बाधां तूर्यनादविनादिताम्।सर्वकल्याणसम्पूर्णां हृष्टपुष्टजनाकुलाम्।।2.51.22।।आरामोद्यानसम्पन्नां समाजोत्सवशालिनीम्।सुखिता विचरिष्यन्ति राजधानीं पितुर्मम।।2.51.23।।

Transliteration

ramyacatvarasaṃsthānāṃ suvibhaktamahāpathām | harmyaprāsādasampannāṃ gaṇikāvaraśobhitām ||2.51.21|| rathāśvagajasambādhāṃ tūryanādavināditām | sarvakalyāṇasampūrṇāṃ hṛṣṭapuṣṭajanākulām ||2.51.22|| ārāmod yānasampannāṃ samājotsavaśālinīm | sukhitā vicariṣyanti rājadhānīṃ pitur mama ||2.51.23||

Translation

This passage repeats the portrayal of the capital’s prosperity and festivity: an orderly city of lovely squares and broad roads, rich in palaces, ringing with music, radiant with gatherings and festivals, where people move about in happiness.

Context

They will roam about happily in the capital city of my father with its lovely squares, wellaligned broad highways, its mansions and palaces, full of chariots, elephants, horses. It will be echoing with the sound of trumpets. It will be full of the welfare of all. It will be graced by the fairest of courtesans. Filled with wellnourished and contented people, the city dotted with several pleasuregardens and parks, will look splendid with community festivals and fairs.

Characters & Entities

• Ayodhyā
• Daśaratha

FAQs

What is the core ethical principle (Dharma) in this verse?

Good governance manifests as public joy, safety, and cultural order—an outward sign of inward dharma in rulership.

What is the narrative situation?

A repeated/combined textual presentation of the same Ayodhyā-description spanning adjacent verse numbers in this recension.

Which character virtue is emphasized?

Appreciation of social order and the king’s duty to sustain collective well-being.