HomeRamayanaAyodhya KandaSarga 15Shloka 2.15.49
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Shloka 2.15.49

अभिषेकसज्जा तथा सुमन्त्रस्य प्रेषणम् (Coronation Preparations and Sumantra’s Commission)

तदन्द्रिकूटाचलमेघसन्निभं महाविमानोपमवेश्मसंयुतम्।अवार्यमाणः प्रविवेश सारथिःप्रभूतरत्नं मकरो यथार्णवम्।।2.15.49।।

tad adrikūṭācalameghasannibhaṃ mahāvimānopamaveśmasaṃyutam |

avāryamāṇaḥ praviveśa sārathiḥ prabhūtaratnaṃ makaro yathārṇavam || 2.15.49 ||

That palace—like a cloud resting upon a mountain peak, and like a great aerial mansion ringed with splendid chambers—was entered by the charioteer without obstruction, as a makara slips into the ocean rich with many gems.

The palace looked like a mountain peak covered by a cloud and a great vimana surrounded by splendid apartments. The charioteer entered the palace unobstructed like a crocodile entering the ocean bristling with many gems.ityārṣē śrīmadrāmāyaṇē vālmīkīya ādikāvyē ayōdhyākāṇḍē pañcadaśaḥsargaḥ৷৷Thus ends the fifteenth sarga of Ayodhyakanda of the holy Ramayana, the first epic composed by sage Valmiki.

S
Sumantra (implied by ‘sārathiḥ’)
V
vimāna (simile)
M
makara
A
arṇava (ocean)

Dharma is implied through rightful access and unobstructed duty: the charioteer moves without hindrance because he acts within legitimate role and protocol—authority and service aligned with order.

Sumantra enters the palace complex; the verse poetically describes the grandeur of the residence and his unhindered passage inward.

Steadfast service: Sumantra’s purposeful entry reflects a servant’s commitment to complete his entrusted task.