Shloka 2.15.33
अभिषेकसज्जा तथा सुमन्त्रस्य प्रेषणम् (Coronation Preparations and Sumantra’s Commission)
महाकवाटविहितं वितर्दिशतशोभितम्।।2.15.32।।काञ्चनप्रतिमैकाग्रं मणिविद्रुमतोरणम्। शारदाभ्रघनप्रख्यं दीप्तं मेरुगुहोपमम्।।2.15.33।।मणिभिर्वरमाल्यानां समुहद्भिरलंकृतम्।मुक्तामणिभिराकीर्णं चन्दनागरूधूपितम्।।2.15.34।।गन्धान्मनोज्ञान् विसृजद्दार्दुरं शिखरं यथा।सारसैश्च मयूरैश्च विनदद्भिर्विराजितम्।।2.15.35।।सुकृतेहामृगाकीर्णं सुकीर्णं भक्तिभिस्तथा।मनश्चक्षुश्च भूतानामाददत्तिग्मतेजसा।।2.15.36।।चन्द्रभास्करसङ्काशं कुबेरभवनोपमम्।महेन्द्रधामप्रतिमं नानापक्षिसमाकुलम्।।2.15.37।।मेरुशृङ्गसमं सूतो रामवेश्म ददर्श ह।उपस्थितैःसमाकीर्णं जनैरञ्जलिकारिभिः।।2.15.38।।उपादाय समाक्रान्तैस्तथा जानपदैर्जनैः।रामाभिषेकसुमुखैरुन्मुखैस्समलंकृतम्।।2.15.39।।महामेघसमप्रख्यमुदग्रं सुविभूषितम्।नानारत्नसमाकीर्णं कुब्जकैरातकावृतम्।।2.15.40।।
kāñcanapratimaikāgraṁ maṇividrumatoraṇam |
śāradābhraghanaprakhyaṁ dīptaṁ meruguhopamam ||2.15.33||
It bore a lofty summit set with golden images, and its gateways were arched with gems and coral. Bright like a dense autumn cloud, it gleamed—like a cavern of Mount Meru.
The charioteer (Sumantra) beheld Rama's palace closed with two heavypanelled doors. Adorned with hundreds of galleries, it had a peak mounted with golden idols. The arches were studded with different gems and corals. Bright like dense autumnal cloud, it shone like the cave of mount Meru. It was ornamented with excellent garlands and precious diamonds. Pearls were strewn around. Decorated with sandal and aloe wood, it emitted, like the peak of mount Dardura, captivating fragrance৷৷ Sarasas and peacocks were singing sweetly. The palace was full of skilfully carved images of deer and other embellishments. It attracted the minds and the eyes of all living beings with brilliant splendour. Resplendent like the Sun and the Moon, it looked like the abode of Kubera and a reflected image of the abode of Mahendra. It was crowded with birds of various kinds. In height it was equal to the peak of mount Meru. Villagers thronged the palace with gifts, eagerly waiting with folded hands to see the spectacle of Rama's coronation. Lofty, it looked like a vast cloud. Welldecked and filled with various gems, it was crowded with hunchbacks and kiratas (hunters) too.
The splendour of Rāma’s residence and the city’s festive preparation form the ethical backdrop for his imminent trial: despite rightful kingship and public support, Rāma will uphold dharma through obedience and self-restraint.
Satya is not stated directly here, but the truthful, orderly public expectation of Rāma’s consecration—built on his known integrity—gives meaning to the scene’s grandeur and heightens the moral weight of what follows.