अयोध्याप्रवेशः — Bharata Enters Ayodhya and Perceives the City’s Desolation
सहसा युद्धशौण्डेन हयारोहेण वाहिताम्। निहतां प्रतिसैन्येन वडवामिव पातिताम्।।2.114.17।।
vipulāṃ vitatāṃ caiva yuktapāśāṃ tarasvinām | bhūmau bāṇair viniṣkṛttāṃ patitāṃ jyām ivāyudhāt || 2.114.16 ||
It lay on the ground like a bowstring loosed from a weapon—broad and stretched, fitted with fastening-loops, yet severed by arrows and fallen down.
The image of something ‘severed’ and fallen suggests the rupture of rightful order; dharma is portrayed as a sustaining tension (like a bowstring) whose loss collapses the city’s vitality.
Ayodhya is being depicted through a sequence of similes as emptied and broken in spirit after Rama’s banishment.
Rama’s centrality to civic well-being is implied; the city’s fall mirrors the absence of the dharmic exemplar.