Adhyāya 6: Kaṅka (Yudhiṣṭhira) Seeks Refuge in Virāṭa’s Assembly
स्तोतुं प्रचक्रमे भूयो विविधै: स्तोत्रसम्भवै: । आमन्त्र्य दर्शनाकाड्क्षी राजा देवीं सहानुज:
stotuṁ pracakrame bhūyo vividhaiḥ stotrasambhavaiḥ | āmantṛya darśanākāṅkṣī rājā devīṁ sahānujaiḥ ||
Vaiśaṃpāyana said: Then King Yudhiṣṭhira, longing for the Goddess’s direct vision and accompanied by his younger brothers, once again began to praise her—addressing her with many names and epithets drawn from hymns. The scene underscores a dharmic posture of humility: before undertaking concealment and danger, the righteous king seeks divine protection not through force, but through reverent invocation and devotion.
वैशम्पायन उवाच
The verse highlights a dharmic ethic of seeking strength through reverence and right intention: before entering a perilous phase, the king turns to disciplined devotion (stotra, āmantṛya) and asks for divine darśana, modeling humility and reliance on higher order rather than arrogance.
Vaiśaṃpāyana narrates that Yudhiṣṭhira, accompanied by his brothers, resumes the hymn to the Goddess, invoking her with many sacred epithets and yearning for her appearance (darśana). This sets the devotional frame for the Pāṇḍavas’ impending stay in Virāṭa’s realm.