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Shloka 31

Adhyāya 14: Sudēṣṇā Sends Sairandhrī to Kīcaka’s House (सुदेष्णा–सैरन्ध्री–कीचक संवादः)

भोगोपचारान्‌ विविधान्‌ सौभाग्यं चाप्यनुत्तमम्‌ । पान पिब महाभागे भोगैश्चानुत्तमै: शुभै:

bhogopacārān vividhān saubhāgyaṃ cāpy anuttamam | pānaṃ piba mahābhāge bhogaiś cānuttamaiḥ śubhaiḥ ||

Vaiśampāyana said: “Enjoy the many kinds of luxuries and the unsurpassed good fortune that have come to you. O highly fortunate lady, drink the choice beverages and partake of these excellent, auspicious pleasures. Your supreme beauty is being wasted in the present situation; like a fine garland that has not been worn around anyone’s neck and therefore does not shine, so too, though you are auspicious and radiant, you do not appear fully adorned when you are not made another’s ‘garland’.”

भोगोपचारान्attendant enjoyments / comforts
भोगोपचारान्:
Karma
TypeNoun
Rootभोगोपचार
FormMasculine, Accusative, Plural
विविधान्various
विविधान्:
Karma
TypeAdjective
Rootविविध
FormMasculine, Accusative, Plural
सौभाग्यम्good fortune
सौभाग्यम्:
Karma
TypeNoun
Rootसौभाग्य
FormNeuter, Accusative, Singular
and
:
TypeIndeclinable
Root
अपिalso
अपि:
TypeIndeclinable
Rootअपि
अनुत्तमम्unsurpassed, excellent
अनुत्तमम्:
Karma
TypeAdjective
Rootअनुत्तम
FormNeuter, Accusative, Singular
पानम्drink, beverage
पानम्:
Karma
TypeNoun
Rootपान
FormNeuter, Accusative, Singular
पिबdrink!
पिब:
TypeVerb
Rootपा (पिबति)
FormImperative, Second, Singular
महाभागेO highly fortunate lady
महाभागे:
TypeNoun
Rootमहाभाग
FormFeminine, Vocative, Singular
भोगैःwith enjoyments/pleasures
भोगैः:
Karana
TypeNoun
Rootभोग
FormMasculine, Instrumental, Plural
and
:
TypeIndeclinable
Root
अनुत्तमैःunsurpassed, excellent
अनुत्तमैः:
Karana
TypeAdjective
Rootअनुत्तम
FormMasculine, Instrumental, Plural
शुभैःauspicious, fine
शुभैः:
Karana
TypeAdjective
Rootशुभ
FormMasculine, Instrumental, Plural

वैशम्पायन उवाच

V
Vaiśampāyana
M
mahābhāgā (addressed lady)
P
pāna (beverages)
B
bhoga (luxuries/pleasures)
H
hāra (garland/necklace)

Educational Q&A

The verse highlights the ethical tension between sensual indulgence and restraint: it depicts a persuasive invitation to pleasure that treats beauty and fortune as things to be ‘used,’ thereby implicitly raising questions about objectification, self-control, and dharma in a courtly setting.

Vaiśampāyana narrates a scene in which a woman is being urged to enjoy luxurious comforts and fine drinks; the speaker flatters her beauty and uses the metaphor of an unworn garland to suggest her attractiveness is ‘wasted’ unless she becomes someone’s adornment.