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Shloka 21

Nakula’s Engagement with Citra-sena and Karṇa’s Sons; Śalya Re-stabilizes the Kaurava Host

राजन! खुले नेत्रोंवाले प्राणशून्य घायल मस्तकोंसे ढकी हुई पृथ्वी लाल कमलोंसे आच्छादित हुई-सी शोभा पाती थी ।।

bāhubhiḥ śvandanādigdhaiḥ sakeyūraiḥ mahādhanaiḥ | patitair bhāti rājendra mahāśakradhvajair iva ||

Sañjaya said: O King, the battlefield shone with severed arms—smeared with sandal-paste and still adorned with armlets and other costly ornaments—fallen upon the earth like the lofty banner-staffs of Indra. In that grim spectacle, the very tokens of wealth and refinement became emblems of ruin, revealing how war overturns worldly splendor and reduces pride to lifeless display.

बाहुभिःby/with arms
बाहुभिः:
Karana
TypeNoun
Rootबाहु
FormMasculine, Instrumental, Plural
चन्दनादिग्धैःsmeared with sandal(-paste)
चन्दनादिग्धैः:
Karana
TypeAdjective
Rootचन्दनादिग्ध
FormMasculine, Instrumental, Plural
सकेयूरैःwearing armlets
सकेयूरैः:
Karana
TypeAdjective
Rootसकेयूर
FormMasculine, Instrumental, Plural
महाधनैःvery valuable/richly adorned
महाधनैः:
Karana
TypeAdjective
Rootमहाधन
FormMasculine, Instrumental, Plural
पतितैःfallen
पतितैः:
Karana
TypeAdjective
Rootपतित
FormMasculine, Instrumental, Plural
भातिshines/appears splendid
भाति:
TypeVerb
Rootभा
FormPresent, Third, Singular, Parasmaipada
राजेन्द्रO king of kings
राजेन्द्र:
TypeNoun
Rootराजेन्द्र
FormMasculine, Vocative, Singular
महाशक्रध्वजैःwith great Indra-banners
महाशक्रध्वजैः:
Karana
TypeNoun
Rootमहाशक्रध्वज
FormMasculine, Instrumental, Plural
इवlike/as if
इव:
TypeIndeclinable
Rootइव

संजय उवाच

S
Sañjaya
D
Dhṛtarāṣṭra (implied by rājendra)
Ś
Śakra/Indra
K
keyūra (armlets)
C
candana (sandal paste)
D
dhvaja (banner/standard)
R
raṇabhūmi (battlefield, implied)

Educational Q&A

The verse underscores the fragility of worldly splendor: ornaments, wealth, and cultivated refinement (sandal paste, armlets) cannot protect life. In war, what once signified status becomes a mute sign of destruction, urging reflection on pride, attachment, and the ethical cost of violence.

Sañjaya describes the battlefield to Dhṛtarāṣṭra: severed arms, still decorated with costly armlets and smeared with sandal paste, lie scattered on the ground. Their upright, banner-like appearance evokes a simile—like Indra’s great standards—heightening the tragic grandeur of the scene.