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Shloka 1073

Varuṇābhiṣeka–Agni-anveṣaṇa–Kaubera-tīrtha

Varuṇa’s Consecration; Search for Agni; Kaubera Sacred Site

हृष्ट: प्रीतमनाश्चैव हृभवन्माधवोत्तम: । शत्रुवीरोंका संहार करनेवाले मधुवंशी हलधर वहाँ रातभर रहे और उस श्रेष्ठ तीर्थका पूजन एवं उसके जलमें स्नान करके हर्षसे खिल उठे। उन यदुश्रेष्ठ बलरामका मन वहाँ प्रसन्न हो गया था

hṛṣṭaḥ prītamanāś caiva hṛṣṭabhavan mādhavottamaḥ | śatruvīrāṇāṃ saṃhārakaro madhuvaṃśī haladharaḥ tatra rātribharaṃ sthitvā śreṣṭhatīrthasya pūjanaṃ kṛtvā tasya jalena snātvā harṣeṇa vikasitaḥ | tatra yaduśreṣṭhasya balarāmasya manaḥ prasannaṃ babhūva |

Vaiśampāyana said: Rejoicing and filled with gladness, the foremost of the Mādhavas—Balarāma, the wielder of the plough and scion of the Madhu line, famed as a destroyer of hostile heroes—remained there through the night. Having worshipped that excellent sacred ford and bathed in its waters, he became radiant with joy. There, the mind of Balarāma, best among the Yadus, grew serene and content.

हृष्टःdelighted, exhilarated
हृष्टः:
Karta
TypeAdjective
Rootहृष्ट
FormMasculine, Nominative, Singular
प्रीतमनाःone whose mind is pleased
प्रीतमनाः:
Karta
TypeAdjective
Rootप्रीतमनस्
FormMasculine, Nominative, Singular
and
:
TypeIndeclinable
Root
एवindeed, just
एव:
TypeIndeclinable
Rootएव
हृभवन्gladdening/joyful (as read)
हृभवन्:
Karta
TypeAdjective
Rootहृभवत्
FormMasculine, Nominative, Singular
माधवोत्तमःthe best of the Mādhavas (Balarāma)
माधवोत्तमः:
Karta
TypeNoun
Rootमाधव-उत्तम
FormMasculine, Nominative, Singular

वैशम्पायन उवाच

वैशम्पायन (Vaiśampāyana)
बलराम (Balarāma)
माधव (Mādhava/Yādava clan)
मधुवंश (Madhu lineage)
यदु (Yadu lineage)
श्रेष्ठ तीर्थ (an excellent tīrtha/sacred ford)

Educational Q&A

Even a mighty warrior seeks renewal through tīrtha—worship and ritual bathing symbolize ethical self-cleansing and the restoration of inner clarity (prasāda), showing that strength is ideally guided by purity and composure.

Balarāma stays at a sacred place overnight, worships the tīrtha, bathes in its waters, and becomes joyful and mentally serene; Vaiśampāyana narrates this as part of the Shalya Parva sequence.