शरभप्रादुर्भावो नाम षण्णवतितमोऽध्यायः (जलन्धरविमर्दनम्)
चन्द्रांशुसन्निभैः शस्त्रैर् हर योद्धुमिहागतः निशम्यास्य वचः शूली पादाङ्गुष्ठेन लीलया महांभसि चकाराशु रथाङ्गं रौद्रमायुधम्
candrāṃśusannibhaiḥ śastrair hara yoddhumihāgataḥ niśamyāsya vacaḥ śūlī pādāṅguṣṭhena līlayā mahāṃbhasi cakārāśu rathāṅgaṃ raudramāyudham
Hari came to do battle, bearing weapons that shone like the rays of the moon. Hearing his words, the trident-bearing Lord (Śiva), with playful ease, pressed with His great toe and at once fashioned in the vast waters the terrible Rudra-weapon—the rathāṅga, like a discus.
Suta Goswami (narrating to the sages of Naimisharanya)
It portrays Śiva as Pati—the sovereign reality whose power is effortless and immediate; for the devotee, linga-worship aligns the pashu (individual soul) to that supreme lordship, transcending rivalry and fear through Śiva’s grace.
Śiva-tattva is shown as utterly independent and unsurpassed: merely by a playful movement of His toe He manifests a fearsome weapon, indicating His mastery over the elements (waters) and over all powers that bind or threaten beings.
The verse emphasizes not a specific rite but the Siddhāntic principle behind Pāśupata discipline: surrender to Pati, recognizing that liberation is effected by Śiva’s śakti (grace) rather than by the pashu’s force alone.