Shloka 87
Shivamurti–Pratishtha Phala: Shivalaya-Nirmana, Kshetra-Mahatmya, Tirtha-Snana, and Mandala-Vidhi
तत्तद्वर्णैस् तथा चूर्णैः श्वेतचूर्णैरथापि वा एकहस्तप्रमाणेन कृत्वा पद्मं विधानतः
tattadvarṇais tathā cūrṇaiḥ śvetacūrṇairathāpi vā ekahastapramāṇena kṛtvā padmaṃ vidhānataḥ
Using powders of the appropriate colors—or even with white powder alone—one should, according to the prescribed rule, draw a lotus-diagram measuring one hand-span. This ordered maṇḍala becomes the pure field for liṅga-pūjā, where the paśu approaches Pati through disciplined rite.
Suta Goswami (narrating Shiva-puja procedure to the sages of Naimisharanya)
FAQs
It prescribes preparing a consecrated worship-field by drawing a lotus mandala of a fixed measure; the ordered padma becomes the pure base for offering to the Linga, aligning the rite with śāstric vidhi.
By emphasizing purity, order, and prescribed measure, the verse points to Shiva as Pati—the supreme regulator—approached through disciplined purification, where the paśu turns from pasha-bound disorder toward the Lord’s auspicious order.
A puja-vidhi step: mandala-rachana (drawing a lotus diagram) with colored/white powders as spatial purification and focus, supporting one-pointed devotion akin to Pashupata-oriented inner and outer discipline.