बृहद्रथो भीमकर्मा बृहत्कीर्तिर् धनञ्जयः घण्टाप्रियो ध्वजी छत्त्री पिनाकी ध्वजिनीपतिः
bṛhadratho bhīmakarmā bṛhatkīrtir dhanañjayaḥ ghaṇṭāpriyo dhvajī chattrī pinākī dhvajinīpatiḥ
He is Bṛhadratha, the Great Charioteer, whose deeds are awe-inspiring; whose fame is vast; Dhanañjaya, the Conqueror of wealth and foes. He delights in the sacred bell; He bears the banner; He is the royal Umbrella itself; He wields Pināka; and He is the Lord of hosts and armies—Pati, the sovereign who leads all forces.
Suta Goswami
It links Shiva’s Sahasranama to temple-liturgy markers—bell (ghaṇṭā), banner (dhvaja), and royal parasol (chatra)—affirming that Linga-puja is not merely symbolic but a royal, sovereign worship of Pati (Shiva) who receives and sanctifies these offerings.
Shiva is portrayed as Pati: the supreme commander (dhvajinīpati) whose mighty action (bhīmakarmā) protects dharma and liberates the pashu (bound soul) by subduing opposing forces—outer enemies and inner impurities that constitute pasha (bondage).
Ritually, it points to ghanta-nāda, dhvaja, and chatra as auspicious components of Shiva-temple worship around the Linga. Yogically (Pashupata sense), it implies disciplining the ‘inner army’—senses and vrittis—by surrendering them to Shiva, the dhvajinīpati, as the governing Lord.