Brahmāṇḍa-Āvaraṇa Nirūpaṇa, Virajā-Setu, and Prākṛta–Vaikṛta Sṛṣṭi
ते सर्वे विरजानद्यां सम्यक् स्नात्वा विसर्ज्य च / लिङ्गदेहं ततः पश्चान्मोक्षं विन्दन्ति ते हरेः
te sarve virajānadyāṃ samyak snātvā visarjya ca / liṅgadehaṃ tataḥ paścānmokṣaṃ vindanti te hareḥ
All of them, having bathed properly in the Virajā river and then casting off the subtle body, thereafter attain liberation that belongs to Hari (Viṣṇu).
Lord Vishnu (narrating to Garuda)
Afterlife Stage: Moksha
Concept: Snāna in Virajā and abandonment of the liṅga-deha culminate in mokṣa that is ‘of Hari’ (Hari-sambandhī mukti).
Vedantic Theme: Transcending subtle-body identification; liberation as cessation of upādhis and entry into the Lord’s state/abode.
Application: Cultivate detachment from subtle identifications (ego, vāsanā); practice Hari-smaraṇa and sattvic purification so that at the end there is effortless ‘casting off’ of the subtle body.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: transcendent river/tīrtha-boundary
Related Themes: Garuda Purana: liṅga-śarīra discussions in Pretakalpa/Mokṣa passages; Garuda Purana: Vaikuṇṭha/Hari-loka descriptions where liberation is framed as reaching Hari
In this verse, bathing in the Virajā symbolizes final purification at the end of the post-death journey, enabling the soul to relinquish the subtle body and move toward liberation.
It presents a culminating step: after proper purification (Virajā-snāna), the jīva abandons the liṅga-deha (the subtle body that carries impressions) and then attains Hari’s moksha.
Live and practice in a way that reduces attachment and karmic residue—devotion to Hari and inner purification are emphasized as the conditions that ultimately support freedom from the subtle-body identity.