Pañcatattva-Pūjā: The Fivefold Vyuha of Hari, Mantras, Nyāsa, Maṇḍala, and Stotra
ॐ पद्माय नमः / अङ्गन्यासं च कृत्वा तु मुद्राः सर्वाः प्रदशयत् / आत्मानं वासुदेवं च ध्यात्वा चैव परेश्वरम्
oṃ padmāya namaḥ / aṅganyāsaṃ ca kṛtvā tu mudrāḥ sarvāḥ pradaśayat / ātmānaṃ vāsudevaṃ ca dhyātvā caiva pareśvaram
“Om, obeisance to Padmā.” Having performed aṅganyāsa (the placing upon the limbs), one should display all mudrās, and then meditate—on one’s own self as Vāsudeva, and also on Pareśvara, the Supreme Lord.
Lord Vishnu (teaching Garuda/Vinata-putra)
Concept: Upāsanā culminates in dhyāna where the practitioner contemplates the ātman in identity/participation with Vāsudeva, alongside devotion to the transcendent Lord.
Vedantic Theme: Jīva–Īśvara sambandha moving toward abheda-bhāvanā (non-separative contemplation) while retaining īśvara-bhakti (Pareśvara-dhyāna).
Application: After nyāsa and mudrās, sit steadily and meditate: visualize Vāsudeva in the heart; cultivate the sense ‘my true self is aligned with the all-pervading Lord’ to reduce egoic fragmentation.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Type: inner meditative space (antar-maṇḍala)
Related Themes: Garuda Purana 1.32.17 (aṅga-mantras); Garuda Purana 1.32.19 (maṇḍala-pūjā); Garuda Purana 1.32.21 (āsana-pūjā, dvāra-devatā)
This verse presents them as preparatory rites that sanctify the body and focus the mind, making meditation on Vāsudeva/Pareśvara steady and effective.
Rather than describing after-death travel here, it teaches inner identification with Vāsudeva—training the practitioner to see the Self as aligned with the Supreme, a key orientation for liberation-focused practice.
Before mantra-japa or prayer, do a brief centering: mentally consecrate the body (nyāsa-like intention), use simple hand gestures if known, and meditate on the Divine within and beyond.