Chandaḥśāstra: Mātrā–Varṇa, Guru–Laghu, Gaṇa, and Metre Types
ज्ञेयः पादश्च तुर्यांशो युक् समं विषमन्त्वयुक् / सममर्धसमं वृत्तं विषमञ्च तृतीयकम्
jñeyaḥ pādaśca turyāṃśo yuk samaṃ viṣamantvayuk / samamardhasamaṃ vṛttaṃ viṣamañca tṛtīyakam
A pāda is to be understood as a quarter-part. When the metrical feet are properly joined (yukta), the metre is called “sama” (even) or “viṣama” (uneven). Among vṛttas, one is “sama”, another “ardhasama” (half-even), and the third is “viṣama” (uneven).
Lord Vishnu (in instruction to Garuda/Vinata-putra)
Concept: Chandas taxonomy: pāda as quarter; metres classified by symmetry—sama, ardhasama, viṣama—based on joining/arrangement of feet.
Vedantic Theme: Order (ṛta-like regularity) expressed through linguistic form; symmetry as a carrier of intelligibility.
Application: When composing/reciting, identify whether a metre is sama/ardhasama/viṣama by comparing pādas; use this to verify correctness and choose appropriate cadence.
Primary Rasa: shanta
Related Themes: Garuda Purana 1.207.3-4 (syllable weight and irregularities); Garuda Purana 1.208.1-2 (Āryā metre specifics)
This verse gives a core prosodic framework—metres are identified by how the pādas (quarters) are arranged as even, half-even, or uneven—supporting correct chanting and textual preservation.
This specific verse does not describe the soul’s journey; it belongs to a technical section on chandas (metre), ensuring accurate transmission and recitation of Purāṇic teachings.
Use the sama/ardhasama/viṣama categories to chant verses with correct rhythm and to catalogue or verify manuscripts by metre, improving accuracy in study and recitation.