Nārada Sees Lord Kṛṣṇa’s Yoga-māyā in the Palaces of the Queens
Dvāra-kā-līlā
क्वापि सन्ध्यामुपासीनं जपन्तं ब्रह्म वाग्यतम् । एकत्र चासिचर्माभ्यां चरन्तमसिवर्त्मसु ॥ २५ ॥
kvāpi sandhyām upāsīnaṁ japantaṁ brahma vāg-yatam ekatra cāsi-carmābhyāṁ carantam asi-vartmasu
Somewhere Śrī Kṛṣṇa was performing sandhyā worship, observing silence and softly chanting the Brahma—Gāyatrī mantra; elsewhere He moved about with sword and shield in the grounds set aside for sword practice.
According to Śrīla Viśvanātha Cakravartī, the words sandhyām upāsīnam indicate sunset rituals, whereas the words asi-carmābhyāṁ carantam refer to sword practice, which takes place at dawn.
This verse shows Śrī Kṛṣṇa Himself observing sandhyā-upāsanā and chanting sacred mantras with controlled speech, establishing that daily worship and remembrance of the Divine are integral to dharma.
In this chapter, visitors witness astonishing scenes in Dvārakā: by His divine potency, Kṛṣṇa expands and performs varied royal and spiritual duties simultaneously, revealing His supreme, unlimited nature.
Adopt a fixed daily time for prayer/meditation (like sandhyā) and cultivate restraint in speech; steady inner practice can coexist with active responsibilities, just as Kṛṣṇa models spiritual focus amid worldly duties.