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Srimad Bhagavatam — Dashama Skandha, Shloka 5

Kṛṣṇa Teases Rukmiṇī; Her Devotional Reply and the Lord’s Assurance

तस्मिनन्तर्गृहे भ्राजन्मुक्तादामविलम्बिना । विराजिते वितानेन दीपैर्मणिमयैरपि ॥ ३ ॥ मल्लिकादामभि: पुष्पैर्द्विरेफकुलनादिते । जालरन्ध्रप्रविष्टैश्च गोभिश्चन्द्रमसोऽमलै: ॥ ४ ॥ पारिजातवनामोदवायुनोद्यानशालिना । धूपैरगुरुजै राजन् जालरन्ध्रविनिर्गतै: ॥ ५ ॥ पय:फेननिभे शुभ्रे पर्यङ्के कशिपूत्तमे । उपतस्थे सुखासीनं जगतामीश्वरं पतिम् ॥ ६ ॥

tasmin antar-gṛhe bhrājan- muktā-dāma-vilambinā virājite vitānena dīpair maṇi-mayair api

Queen Rukmiṇī’s inner chamber was exquisitely radiant, with a canopy hung with shining strings of pearls and jewels glowing like lamps. Garlands of jasmine and other flowers drew swarms of humming bees, while the spotless moonlight streamed through the lattice openings. O King, aguru incense drifted out through those apertures, and a breeze carrying the fragrance of the pārijāta grove made the room feel like a garden. There the Queen attended her husband, the Lord of all worlds, as He rested at ease upon a splendid pillow on a bed white and soft as milk-foam.

pārijāta-vana-āmoda-vāyunāby the fragrant breeze from the pārijāta grove
pārijāta-vana-āmoda-vāyunā:
Karaṇa (करण)
TypeNoun
Rootpārijāta (प्रातिपदिक) + vana (प्रातिपदिक) + āmoda (प्रातिपदिक) + vāyu (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (तृतीया/3), Singular (एकवचन); tatpuruṣa chain: pārijāta-vana = pārijāta-grove; āmoda-vāyu = breeze carrying fragrance; overall: ‘by the fragrant breeze from the pārijāta-grove’
udyāna-śālināhaving a garden
udyāna-śālinā:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootudyāna (प्रातिपदिक) + śālin (प्रातिपदिक)
FormInstrumental (तृतीया/3), Singular (एकवचन); tatpuruṣa: udyāna-śālin = possessing a garden; agreeing with (antaḥ-gṛha) contextually
dhūpaiḥwith incense
dhūpaiḥ:
Karaṇa (करण)
TypeNoun
Rootdhūpa (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (तृतीया/3), Plural (बहुवचन)
aguru-jaiḥmade from aguru (aloeswood)
aguru-jaiḥ:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootaguru (प्रातिपदिक) + ja (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Instrumental (तृतीया/3), Plural (बहुवचन); tatpuruṣa: aguru-ja = produced from aloe/agarwood; agreeing with dhūpaiḥ
rājanO king
rājan:
Sambodhana (सम्बोधन)
TypeNoun
Rootrājan (प्रातिपदिक)
FormMasculine (पुंलिङ्ग), Vocative (सम्बोधन/8), Singular (एकवचन)
jāla-randhra-vinirgataihissuing out through lattice-openings
jāla-randhra-vinirgataih:
Viśeṣaṇa (विशेषण)
TypeAdjective
Rootjāla (प्रातिपदिक) + randhra (प्रातिपदिक) + vinirgata (वि-निर्-गम् धातु, क्त)
FormMasculine (पुंलिङ्ग), Instrumental (तृतीया/3), Plural (बहुवचन); tatpuruṣa: jāla-randhra = lattice-openings; vinirgata = gone out/issuing forth; agreeing with dhūpaiḥ

According to Śrīla Śrīdhara Svāmī, Rukmiṇī’s palace was quite famous then, as now, and these descriptions give a glimpse into its opulence. Śrīla Viśvanātha Cakravartī adds that the word amalaiḥ in this verse may also be read aruṇaiḥ, which would indicate that when this pastime took place the moon had just risen, bathing the entire palace in beautiful ruddy moonshine.

K
King Parīkṣit

FAQs

In this verse, Śukadeva describes the palace atmosphere as perfumed by the breeze from a pārijāta grove, highlighting the divine, paradise-like opulence surrounding Kṛṣṇa’s household in Dvārakā.

Śukadeva Gosvāmī is narrating to King Parīkṣit; the address ‘O King’ maintains the direct teacher-disciple narration frame while describing the scene in Kṛṣṇa’s inner chambers.

It encourages cultivating a clean, devotional environment—through purity, pleasing fragrance, and remembrance—so the mind naturally turns toward the Lord, as the palace setting supports constant God-centered awareness.