Jarāsandha’s Siege of Mathurā, Kṛṣṇa-Balarāma’s Victory, and the Founding of Dvārakā amid Kālayavana’s Threat
शङ्खदुन्दुभयो नेदुर्भेरीतूर्याण्यनेकश: । वीणावेणुमृदङ्गानि पुरं प्रविशति प्रभौ ॥ ३७ ॥ सिक्तमार्गां हृष्टजनां पताकाभिरभ्यलङ्कृताम् । निर्घुष्टां ब्रह्मघोषेण कौतुकाबद्धतोरणाम् ॥ ३८ ॥
śaṅkha-dundubhayo nedur bherī-tūryāṇy anekaśaḥ vīṇā-veṇu-mṛdaṅgāni puraṁ praviśati prabhau
As the Lord entered His city, conchshells and dundubhi kettledrums resounded; bhērīs and tūryas, many drums, vīṇās, flutes and mṛdaṅgas played in unison. The boulevards were sprinkled with water, banners flew everywhere, and the gateways were adorned with festive toranas; the citizens rejoiced, and the city echoed with the brahma-ghoṣa—chanting of Vedic hymns.
This verse depicts Krishna’s entrance being welcomed with auspicious sounds—conches, drums, trumpets, and instruments—showing the city’s devotional joy and reverence for the Lord.
They signify auspiciousness, victory, and public celebration; the Bhagavatam uses these sounds to portray collective devotion and the festive reception of the Supreme Lord.
Welcome the Lord into daily life through devotional sound—kīrtana, prayer, and sacred music—transforming ordinary moments into offerings of joy and remembrance.