Kanda 15

In Kāṇḍa 15 the vrātya is portrayed as a liminal ascetic/outsider (often imagined as a wandering figure) who is simultaneously elevated into a cosmic-ritual person through bandhu-identifications, becoming a source of order and prosperity.

The hymns link rājya to alignment with Kāla/Year-order and brahma-knowledge: sovereignty is legitimated by integrating political authority into the temporal-cosmic structure that sustains the worlds and ritual order.

It preserves unusually focused vrātya material—para-Vedic ascetic-ritual and speculative correspondences—presented in a Brāhmaṇa-like style that differs from the more common healing, protection, or sorcery-centered Atharvanic collections.