HomeVamana PuranaAdh. 59Shloka 79
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Vamana Purana — Sarasvata Hymn to Vishnu, Shloka 79

The Sarasvata Hymn to Vishnu (Vishnu-Pañjara) and the Redemption of a Rakshasa

ब्रह्मत्वे यस्य वक्त्रेभ्यश्चतुर्वेदमयं वपुः प्रभुः पुरातनो जज्ञे तमस्मि शरणं गतः

brahmatve yasya vaktrebhyaścaturvedamayaṃ vapuḥ prabhuḥ purātano jajñe tamasmi śaraṇaṃ gataḥ

{"has_teaching": true, "teaching_type": "bhakti", "core_concept": "Janārdana as jagad-yoni and as Brahmā-rūpadhara—one Lord, many functions.", "teaching_summary": "The verse teaches that the eternal Lord, source of the world, assumes the creator-role in the act of creation; devotion (praṇāma) is directed to the underlying sanātana reality, not merely the office.", "vedantic_theme": "saguṇa-brahman as īśvara with functional manifestations; unity behind trimūrti-like roles", "practical_application": "Offer worship to the Lord in all roles (creator/sustainer/destroyer) and see worldly processes as sacred, reducing anxiety about change."}

Unspecified in the provided excerpt (continuation of a stuti addressed to Viṣṇu/Janārdana).
Vishnu (as Prabhu/Purātana)Brahma (four-mouthed, implied)
Veda as divine embodimentRevelation through Brahmā’s mouths (four faces)Primordial lordship (purātana)Śaraṇāgati

{ "primaryRasa": "adbhuta", "secondaryRasa": "shanta", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }

FAQs

It evokes the standard Purāṇic image of four-faced Brahmā. The verse attributes the emergence/manifestation of the four Vedas to the divine source operating through those four mouths, emphasizing that Veda is not merely composed but revealed.

As a theological metaphor: the Lord’s form is identical with sacred knowledge—Veda is His embodiment. It also implies that Vedic sound (śabda) is a primary mode of divine presence.

Purāṇic diction often uses 'birth' for manifestation within time, while 'purātana' asserts timelessness. The point is: the eternal Lord appears in a creator-role without losing His primordial nature.