तपसो महिमा
The Greatness and Typology of Tapas
रेचकः पूरकः कुम्भः प्राणायामस्त्रिधा स्मृतः । नाडीसंचारविज्ञानं प्रत्याहारनिरोधनम्
recakaḥ pūrakaḥ kumbhaḥ prāṇāyāmastridhā smṛtaḥ | nāḍīsaṃcāravijñānaṃ pratyāhāranirodhanam
Prāṇāyāma wird als dreifach überliefert: recaka (Ausatmung), pūraka (Einatmung) und kumbhaka (Atemverhaltung). Dazu gehören das Wissen, den Strom durch die nāḍīs zu lenken, sowie die Zügelung der Sinne durch Rückzug (pratyāhāra) und Beherrschung (nirodha).
Lord Shiva
Sthala Purana: Colophon verse; no sthala narrative.
It frames breath-discipline and sense-restraint as essential inner aids for turning awareness toward Shiva (Pati). In Shaiva Siddhanta terms, such yogic control helps loosen pāśa (bondage) so the soul (paśu) can become fit for Shiva’s grace and steady contemplation.
Prāṇāyāma and pratyāhāra prepare the mind to remain one-pointed in Saguna worship—such as Linga-dhyāna and japa—by reducing distraction and stabilizing attention, making external ritual and internal meditation support each other.
A meditative practice of prāṇāyāma (recaka–pūraka–kumbhaka) combined with awareness of nāḍī-flow and pratyāhāra (withdrawing the senses), used to steady the mind for mantra-japa (e.g., the Pañcākṣarī) and Shiva-dhyāna.