Śiva-nāma-sahasraka-kathana
The Recital/Teaching of the Thousand Names of Śiva
धातृधामा धामकरः सर्वगः सर्वगोचरः । ब्रह्मसृग्विश्वसृक्सर्गः कर्णिकारः प्रियः कविः
dhātṛdhāmā dhāmakaraḥ sarvagaḥ sarvagocaraḥ | brahmasṛgviśvasṛksargaḥ karṇikāraḥ priyaḥ kaviḥ
Er ist die Wohnstatt des Erhalters (Dhātṛ) und der Schöpfer allen Glanzes; allgegenwärtig und doch für alle erreichbar. Er lässt Brahmā hervorgehen, lässt das Universum und die Entfaltung der Schöpfung hervorgehen; Er ist der strahlende Karṇikāra, der Geliebte und der göttliche Seher‑Dichter.
Suta Goswami (narrating Shiva’s epithets to the sages at Naimisharanya in the Purana style)
Tattva Level: pati
Shiva Form: Sadāśiva
Type: stotra
Role: creative
Offering: dipa
Cosmic Event: cosmogonic emanation (sarga)
The verse presents Shiva as both transcendent and immanent: the source of cosmic creation (including Brahmā and the sarga) and also “sarvagocara,” directly approachable in devotion and inner realization—aligning with Shaiva Siddhanta where Pati (Shiva) grants grace leading to liberation.
These epithets support Saguna worship: devotees approach Shiva through name, form, and symbol (especially the Linga), while remembering that the same Lord is all-pervading (sarvaga) and the inner light (dhāmakara) that sanctifies Jyotirlinga pilgrimage and temple worship.
A practical takeaway is nāma-japa and dhyāna: chant “Om Namaḥ Śivāya” or Shiva’s names while contemplating Him as the indwelling light (dhāmakara) present everywhere (sarvaga), offering the fruits of action to Him as the Lord of creation (sarga).