Shloka 39
महाकालज्योतिर्लिङ्गमाहात्म्ये चन्द्रसेन-चिन्तामणि-प्रसङ्गः
Mahākāla Jyotirliṅga Māhātmya: The Episode of King Candrasena and the Cintāmaṇi
सोन्तर्विवेश भवनं सर्वशोभासमन्वितम् । मणिहेमगणाकीर्ण मोदमानो निशामुखे
sontarviveśa bhavanaṃ sarvaśobhāsamanvitam | maṇihemagaṇākīrṇa modamāno niśāmukhe
Gleich zu Beginn der Nacht trat er in das Haus ein, mit jeder Art von Pracht geschmückt, übersät mit Ansammlungen von Edelsteinen und Gold; und er freute sich darin.
Suta Goswami (narrating to the sages at Naimisharanya, typical Shiva Purana dialogue frame)
Tattva Level: pashu
Shiva Form: Sadāśiva
Significance: Encourages seeing Śiva’s grace as ‘sarva-śobhā’—a sanctifying order entering the devotee’s home/life at nightfall (symbol of inner rest in Śiva).
Role: nurturing
Cosmic Event: Niśā-mukha (night’s onset) as a symbolic ‘tirodhāna’ backdrop, yet the verse foregrounds anugraha through radiance and joy.
FAQs
The verse uses the imagery of entering a radiant mansion at nightfall to suggest the devotee’s inward approach toward sacred presence—moving from outer darkness into an inner realm of auspiciousness and grace, a key Shaiva theme of entering Shiva’s sanctifying sphere.
In the Kotirudra context of Jyotirlinga glorification, such descriptions of splendor support Saguna devotion—Shiva’s accessible, worship-worthy manifestation—where the holy abode/temple becomes the outward form that draws the mind inward toward the Jyoti (divine light).
Nightfall evokes pradosha and night-worship: enter the shrine with a quiet mind, repeat the Panchakshara (Om Namaḥ Śivāya), and perform simple lamp offering (dīpa) or inward dhyāna on Shiva as the light within.