Prohibitions and Rules of Right Conduct (Ācāra): Theft, Speech, Purity, Residence, and Social Boundaries
न गच्छंस्तु पठेद्वापि न चैव स्वशिरः स्पृशेत् । न दंतैर्नखरोमाणि च्छिंद्यात्सुप्तं न बोधयेत्
na gacchaṃstu paṭhedvāpi na caiva svaśiraḥ spṛśet | na daṃtairnakharomāṇi cchiṃdyātsuptaṃ na bodhayet
Man soll nicht rezitieren, während man geht, und man soll auch nicht den eigenen Kopf berühren (während der Rezitation). Man soll Nägel oder Haare nicht mit den Zähnen abbeißen und schneiden, und man soll einen Schlafenden nicht wecken.
Unspecified (didactic injunction within the Svarga-khaṇḍa narrative context)
Concept: Sacred recitation requires attentiveness and bodily steadiness; avoid careless habits and avoid disturbing others’ rest.
Application: When chanting, sit or stand still; avoid multitasking; maintain hygiene; respect others’ sleep and mental peace.
Primary Rasa: shanta
Secondary Rasa: bhayanaka
Visual Art Cues: {"scene_description":"A devotee chants from a manuscript while seated under a banyan tree, spine straight, gaze steady; nearby, another person walks past but the chanter remains still, refusing to recite while moving. In the background, a sleeping ascetic rests undisturbed, emphasizing non-intrusion and quiet discipline.","primary_figures":["Vaishnava devotee reciting","Sleeping ascetic","Passing pilgrim"],"setting":"Ashram grove with banyan tree, kusa grass mat, small water pot, and a distant shrine bell tower.","lighting_mood":"forest dappled","color_palette":["leaf green","earth brown","manuscript ochre","sky pale blue","cloth white"],"tanjore_prompt":"Tanjore painting style: a seated devotee reciting before a small Viṣṇu shrine, gold leaf aura around the deity, ornate borders; the devotee’s still posture contrasts with a passerby, and a sleeping sage remains undisturbed—rich reds/greens, lamp-lit accents.","pahari_prompt":"Pahari miniature style: tranquil ashram grove with delicate foliage, a devotee seated chanting from a manuscript, refined facial features, cool greens and blues, a sleeping ascetic nearby, gentle narrative clarity.","kerala_mural_prompt":"Kerala mural style: bold outlines, stylized banyan and shrine, devotee seated in disciplined posture chanting, sleeping figure in the corner, natural pigments with red/yellow/green dominance, emphasizing niyama.","pichwai_prompt":"Pichwai cloth painting style: central chanting devotee framed by lotus and tulasi-like floral borders (ornamental), a small Viṣṇu icon, peacocks perched quietly, deep blue ground with gold highlights, mood of controlled stillness."}
Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Bhupali","pace":"slow-meditative","voice_tone":"serene","sound_elements":["rustling leaves","soft mantra drone","distant temple bell","birdsong","silence between phrases"]}
Sandhi Resolution Notes: gacchaṃstu = gacchan + tu; paṭhedvāpi = paṭhet + vā + api; caiva = ca + eva; daṃtairnakharomāṇi = dantaiḥ + nakharomāṇi; cchiṃdyāt = (chindyāt with initial consonant doubling after sandhi); cchiṃdyātsuptam = cchiṃdyāt + suptam.
It sets etiquette (sadācāra) for sacred recitation—how one should behave while reading/chanting, emphasizing steadiness, cleanliness, and non-disruption.
Walking implies distraction and lack of reverence; the verse favors attentive, composed recitation rather than casual or inattentive reading.
It teaches non-harm and consideration for others—avoiding unnecessary disturbance, even while pursuing one’s own religious practice.