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Shloka 14

The Marks of Merit and the Destinies of Beings

Divine vs Demonic Traits

ज्ञानलोपादतस्तेषां मलशौचं न विद्यते । मातरं भगिनीं चान्यां गृहिणीं कामयंति च

jñānalopādatasteṣāṃ malaśaucaṃ na vidyate | mātaraṃ bhaginīṃ cānyāṃ gṛhiṇīṃ kāmayaṃti ca

Da ihr Unterscheidungsvermögen verloren gegangen ist, haben sie keinen Sinn für körperliche Reinheit oder Sauberkeit; sie begehren sogar ihre Mutter, ihre Schwester und andere Frauen, einschließlich verheirateter Frauen.

ज्ञानलोपात्from the loss of knowledge
ज्ञानलोपात्:
Hetu (हेतु/कारण)
TypeNoun
Rootज्ञान-लोप (प्रातिपदिक; ज्ञान + लोप)
Formपुंलिङ्ग, पञ्चमी (5th/Ablative), एकवचन; तत्पुरुष-समास (षष्ठी-तत्पुरुषः: ज्ञानस्य लोपः)
अतःtherefore
अतः:
Sambandha (सम्बन्ध/connector)
TypeIndeclinable
Rootअतः (अव्यय)
Formअव्यय; निपात/अव्यय (consequential particle)
तेषाम्of them
तेषाम्:
Shashthi-sambandha (षष्ठी-सम्बन्ध)
TypeNoun
Rootतद् (सर्वनाम-प्रातिपदिक)
Formपुंलिङ्ग (सामान्य-प्रयोग), षष्ठी (6th/Genitive), बहुवचन
मलशौचम्purity/cleanliness from filth
मलशौचम्:
Karta (कर्ता/Subject)
TypeNoun
Rootमल-शौच (प्रातिपदिक; मल + शौच)
Formनपुंसकलिङ्ग, प्रथमा/द्वितीया (1st/2nd), एकवचन; तत्पुरुष-समास (कर्मधारय/षष्ठी-तत्पुरुषः: मलस्य शौचम्)
not
:
Pratiṣedha (प्रतिषेध)
TypeIndeclinable
Rootन (अव्यय)
Formअव्यय; निषेध-निपात (negation)
विद्यतेexists/is found
विद्यते:
Kriya (क्रिया/Verb)
TypeVerb
Rootविद् (धातु)
Formलट् (Present), प्रथमपुरुष (3rd), एकवचन; आत्मनेपद
मातरम्mother
मातरम्:
Karma (कर्म/Object)
TypeNoun
Rootमातृ (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd/Accusative), एकवचन
भगिनीम्sister
भगिनीम्:
Karma (कर्म/Object)
TypeNoun
Rootभगिनी (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय-निपात (conjunction)
अन्याम्another/other
अन्याम्:
Visheshana (विशेषण)
TypeAdjective
Rootअन्य (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन; विशेषण (qualifier)
गृहिणीम्a housewife (married woman)
गृहिणीम्:
Karma (कर्म/Object)
TypeNoun
Rootगृहिणी (प्रातिपदिक)
Formस्त्रीलिङ्ग, द्वितीया (2nd), एकवचन
कामयन्तिdesire
कामयन्ति:
Kriya (क्रिया/Verb)
TypeVerb
Rootकम्/कामय् (धातु; कामयति-रूप)
Formलट् (Present), प्रथमपुरुष (3rd), बहुवचन; परस्मैपद; सकर्मक
and
:
Samuccaya (समुच्चय)
TypeIndeclinable
Rootच (अव्यय)
Formअव्यय; समुच्चय-निपात (conjunction)

Unspecified in the provided excerpt (context needed from Adhyaya 76 framing dialogue).

Concept: When jñāna (discernment) is lost, śauca and maryādā collapse, leading to transgression of fundamental kinship and marital boundaries.

Application: Cultivate discernment through sāttvika habits, good company, and self-restraint; protect family boundaries and treat relationships with sanctity.

Primary Rasa: bibhatsa

Secondary Rasa: bhayanaka

Visual Art Cues: {"scene_description":"A symbolic scene of ‘jñāna-lopa’: a lamp of discernment flickers out, and as darkness spreads, boundary lines between household spaces blur into chaos. Figures appear as indistinct silhouettes reaching across forbidden thresholds, while a distant, steady Viṣṇu-like radiance remains far away, emphasizing separation from dharma.","primary_figures":["a personified lamp of jñāna (as a central motif)","shadowy household silhouettes (non-explicit, symbolic)","a distant protective divine radiance (symbolic Viṣṇu aura)"],"setting":"Interior of a household with clear threshold markers (doorways, courtyard lines) dissolving into darkness.","lighting_mood":"lamp extinguishing into oppressive dusk","color_palette":["soot black","dim amber","mud brown","dull crimson","pale ash"],"tanjore_prompt":"Tanjore painting style: central oil lamp with gold leaf that fades into darkened background; household architecture with ornate pillars; symbolic silhouettes reaching across a threshold (kept non-graphic); distant Sudarśana-like halo in upper corner; heavy gold embellishment on the lamp and threshold borders, rich maroon and deep green accents, dramatic contrast.","pahari_prompt":"Pahari miniature style: quiet domestic courtyard at twilight; a small lamp nearly out; delicate architecture lines; figures rendered as soft silhouettes to keep symbolism; cool indigo shadows with a thin amber glow; refined, restrained depiction emphasizing moral warning.","kerala_mural_prompt":"Kerala mural style: bold outlines of house interior; central lamp motif; threshold lines stylized; figures simplified and symbolic; palette dominated by reds/yellows/greens with strong black to show darkness of jñāna-lopa; upper register with a small divine mandala as distant dharma-light.","pichwai_prompt":"Pichwai cloth painting style: allegorical composition with a central lamp medallion; floral borders that become thorny as they move outward; deep blue-black ground with gold highlights; symbolic threshold motifs and distant chakra-mandala; decorative restraint to keep the scene moral and non-literal."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"authoritative","sound_elements":["low drum (mridangam) pulse","wind-like hush","single bell strike","sudden silence at the end"]}

Sandhi Resolution Notes: ज्ञानलोपादतस्तेषाम् = ज्ञानलोपात् + अतः + तेषाम्; चान्याम् = च + अन्याम्; कामयंति = कामयन्ति (अनुस्वार/लिप्यन्तर-भेद)

FAQs

It links moral collapse to the loss of discernment (jñāna), describing how such delusion destroys basic standards of purity and leads to socially and ethically forbidden desires.

It denotes practical and moral senses of purity—especially bodily cleanliness and the discipline that accompanies ethical living—said to be absent when discernment is lost.

It underscores the breakdown of dharmic boundaries and the gravity of uncontrolled lust, presenting restraint and right understanding as safeguards of social and spiritual order.