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Shloka 79

Merit of Causeways and Crossings, Temple Construction Rewards, and the Rudrākṣa Mahātmya

नृत्यगीतादिशास्त्रेण गंधर्वाणां पतिर्भवेत् । दासीदासयुतः स्वर्गे धनैः स्त्रीभिर्वरैर्युतः

nṛtyagītādiśāstreṇa gaṃdharvāṇāṃ patirbhavet | dāsīdāsayutaḥ svarge dhanaiḥ strībhirvarairyutaḥ

Durch die Meisterschaft der Śāstras von Tanz, Gesang und verwandten Künsten kann man Herr der Gandharvas werden; und im Himmel wird man von Dienern und Dienerinnen umgeben, reich an Gütern und an vortrefflichen Frauen.

nṛtya-gīta-ādi-śāstreṇaby the treatise of dance, song, etc.
nṛtya-gīta-ādi-śāstreṇa:
Karaṇa (करण/Instrument)
TypeNoun
Rootnṛtya (प्रातिपदिक) + gīta (प्रातिपदिक) + ādi (अव्यय) + śāstra (प्रातिपदिक)
FormNeuter, Instrumental (3rd/तृतीया), Singular; समास: नृत्यं च गीतं च आदिः येषां तानि (nṛtya-gīta-ādi) + तेषां शास्त्रम् (śāstra) → तृतीया एकवचन
gaṃdharvāṇāmof the Gandharvas
gaṃdharvāṇām:
Ṣaṣṭhī-sambandha (षष्ठी-सम्बन्ध/Possessive relation)
TypeNoun
Rootgaṃdharva (प्रातिपदिक)
FormMasculine, Genitive (6th/षष्ठी), Plural
patiḥlord
patiḥ:
Karta (कर्ता/Subject)
TypeNoun
Rootpati (प्रातिपदिक)
FormMasculine, Nominative (1st/प्रथमा), Singular
bhavetwould become
bhavet:
Kriyā (क्रिया/Verbal action)
TypeVerb
Rootbhū (धातु)
FormVidhi-liṅ (विधिलिङ्/Optative), Prathama-puruṣa (3rd person), Singular; parasmaipada
dāsī-dāsa-yutaḥaccompanied by maidservants and servants
dāsī-dāsa-yutaḥ:
Viśeṣaṇa (विशेषण/Qualifier of subject)
TypeAdjective
Rootdāsī (प्रातिपदिक) + dāsa (प्रातिपदिक) + yuta (कृदन्त, √yuj)
FormMasculine, Nominative (1st/प्रथमा), Singular; past participle yuta (युक्त) used adjectivally; समास: दासी च दासश्च (dvandva) + युतः (endowed/with)
svargein heaven
svarge:
Adhikaraṇa (अधिकरण/Location)
TypeNoun
Rootsvarga (प्रातिपदिक)
FormMasculine, Locative (7th/सप्तमी), Singular
dhanaiḥwith riches
dhanaiḥ:
Sahakārī/Upakaraṇa (सहकारी/Means, accompaniment)
TypeNoun
Rootdhana (प्रातिपदिक)
FormNeuter, Instrumental (3rd/तृतीया), Plural
strībhiḥwith women
strībhiḥ:
Sahakārī (सहकारी/Accompaniment)
TypeNoun
Rootstrī (प्रातिपदिक)
FormFeminine, Instrumental (3rd/तृतीया), Plural
varaiḥexcellent, choice
varaiḥ:
Viśeṣaṇa (विशेषण/Qualifier)
TypeAdjective
Rootvara (प्रातिपदिक)
FormMasculine, Instrumental (3rd/तृतीया), Plural; adjective qualifying implied companions/objects
yutaḥendowed (with)
yutaḥ:
Viśeṣaṇa (विशेषण/Qualifier of subject)
TypeAdjective
Rootyuta (कृदन्त, √yuj)
FormMasculine, Nominative (1st/प्रथमा), Singular; past participle (क्त) used adjectivally

Unspecified (context not provided for the dialogue frame in this single-verse input)

Concept: Cultivated skill in sacred arts yields elevated status in subtle realms; enjoyment (bhoga) follows refined effort and merit.

Application: Study and practice arts with discipline and ethical restraint; dedicate performances to the Divine and community uplift rather than ego.

Primary Rasa: adbhuta

Secondary Rasa: shringara

Type: celestial_realm

Visual Art Cues: {"scene_description":"A radiant celestial amphitheater of clouds and crystal where a crowned Gandharva-lord presides over dancers and singers, their movements forming mandala-like patterns. Below, a faint earthly studio shows disciplined practice of dance and song, while above, svarga attendants—male and female—stand with flywhisks, garlands, and trays of jewels.","primary_figures":["Gandharva-lord (attained status)","apsaras dancers","celestial musicians","attendant retinue"],"setting":"Svarga’s jeweled stage with cloud terraces, flowering pārijāta trees, and a distant palace of Indra-like splendor.","lighting_mood":"divine radiance","color_palette":["opal white","celestial turquoise","amethyst purple","gold leaf","rose pink"],"tanjore_prompt":"Tanjore painting style: celestial court with a Gandharva-lord enthroned, apsaras dancing in concentric arcs, musicians with veena and drums; lavish gold leaf on crowns and jewelry, rich jewel tones, ornate arch framing, stylized pārijāta trees and cloud bands.","pahari_prompt":"Pahari miniature style: lyrical svarga terrace with delicate dancers and musicians, refined facial features, flowing scarves; cool turquoise sky, soft cloud architecture, subtle gradients; a small lower vignette of an earthly artist practicing as narrative contrast.","kerala_mural_prompt":"Kerala mural style: bold-outlined Gandharva king with elaborate crown, apsaras in dynamic poses, rhythmic ornamentation; flat yet majestic celestial backdrop, dominant reds/yellows/greens with black contours, temple-wall grandeur.","pichwai_prompt":"Pichwai cloth painting style: festive celestial rāsa-like arrangement of dancers and musicians around a central throne; lotus motifs and floral borders, deep blue ground with gold highlights, peacocks in corners, intricate textile patterns on garments."}

Audio Atmosphere: {"recitation_mood":"dramatic","suggested_raga":"Bhairavi","pace":"fast-dramatic","voice_tone":"emotional","sound_elements":["veena arpeggios","mridanga rhythms","anklet bells (ghunghroo)","celestial chimes","soft wind"]}

Sandhi Resolution Notes: nṛtyagītādiśāstreṇa → nṛtya-gīta-ādi-śāstreṇa; patirbhavet → patiḥ bhavet; strībhirvarairyutaḥ → strībhiḥ varaiḥ yutaḥ.

G
Gandharvas

FAQs

It presents artistic mastery (dance, song, and allied disciplines) as a meritorious cause (karma) that yields exalted heavenly status—symbolized by becoming a leader among Gandharvas, the celestial musicians.

Gandharvas are celestial beings associated with music, performance, and the courts of the gods; being their “lord” signifies high prestige within the heavenly realm.

It implies that disciplined cultivation of refined arts, when pursued as a legitimate śāstra (systematic knowledge), is considered a source of positive merit and can lead to elevated results (phala), here expressed as prosperity and honor in heaven.