Shloka 123
The Bhīma-Dvādaśī
Kalyāṇinī) Vow and the Anangadāna-Vrata (with a Courtesan-Conduct Discourse
तंडुलप्रस्थदानं च यावन्मासास्त्रयोदश । ततस्त्रयोदशे मासि संप्राप्ते चास्य भामिनी
taṃḍulaprasthadānaṃ ca yāvanmāsāstrayodaśa | tatastrayodaśe māsi saṃprāpte cāsya bhāminī
Und es soll die Gabe von einem Prastha Reis so lange erfolgen, dreizehn Monate. Dann, als der dreizehnte Monat eintrat, kam auch seine geliebte Frau (bhāminī) dorthin.
Unspecified in the provided excerpt (context needed from surrounding verses).
Concept: Consistency in charity (dāna) over time transforms ordinary resources (rice) into enduring merit; vrata is proven by continuity, not momentary zeal.
Application: Commit to a realistic, repeatable giving practice (monthly/weekly) rather than sporadic large gifts; track it over a set period (e.g., a year) and complete it with gratitude.
Primary Rasa: shanta
Secondary Rasa: adbhuta
Visual Art Cues: {"scene_description":"A calendar-like passage of months shown through changing seasonal motifs around a steady act: each month a measured prastha of rice is offered with reverence. In the final panel, the thirteenth month arrives and the beloved woman appears at the ritual space, signaling completion and auspicious culmination.","primary_figures":["householder donor","brāhmaṇa recipient","bhāminī (beloved wife)"],"setting":"Courtyard or temple-adjacent charity pavilion with grain measures, woven baskets, and a small altar marking the vow’s continuity across seasons.","lighting_mood":"divine radiance","color_palette":["harvest gold","earth brown","leaf green","copper orange","cloud white"],"tanjore_prompt":"Tanjore painting style: narrative panel composition showing repeated monthly rice-dāna with a prastha measure, ornate borders with gold leaf, the final thirteenth-month scene featuring the bhāminī arriving, rich reds/greens, jewel-like detailing on vessels and garments, auspicious completion mood.","pahari_prompt":"Pahari miniature style: seasonal vignettes around a central donor offering rice, delicate brushwork on grain baskets and measuring cup, soft Himalayan-like palette, lyrical depiction of the wife’s arrival in the thirteenth month, refined faces and gentle gestures.","kerala_mural_prompt":"Kerala mural style: stylized figures with bold outlines, repeated motif of rice measure and offering, warm natural pigments, the thirteenth-month arrival emphasized with a halo-like aura and auspicious floral patterns.","pichwai_prompt":"Pichwai cloth painting style: decorative border of grain and lotus motifs, central scene of anna-dāna with ornate textiles, deep blues and gold accents, rhythmic repetition suggesting thirteen cycles, concluding with the wife’s auspicious presence."}
Audio Atmosphere: {"recitation_mood":"narrative","suggested_raga":"Desh","pace":"moderate-narrative","voice_tone":"authoritative","sound_elements":["soft handbell","rustle of grain","murmured mantras","courtyard ambience"]}
Sandhi Resolution Notes: yāvat+māsāḥ→yāvanmāsāḥ; māsāḥ+trayodaśa→māsāstrayodaśa; tataḥ+trayodaśe→tatastrayodaśe; ca+asya→cāsya.
FAQs
It describes a sustained charitable observance: donating a prastha-measure of rice over a period of thirteen months.
The verse frames the vow/donation as continuing through a full thirteen-month cycle, with a narrative turning point occurring when the thirteenth month arrives.
It reinforces steadiness in dāna (charitable giving)—not as a one-time act, but as a disciplined, time-bound practice aligned with dharma.