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Shloka 41

Brahmā’s Puṣkara Sacrifice and the Manifestation of Sarasvatī

with Tīrtha-Merit Teachings

तथा ब्रह्माप्यनंतेन लोकानां स्थितिकारिणा । अन्वास्यमानो भगवान्वृद्धोप्यथ च बुद्धिमान्

tathā brahmāpyanaṃtena lokānāṃ sthitikāriṇā | anvāsyamāno bhagavānvṛddhopyatha ca buddhimān

So wurde auch Brahmā—obgleich betagt, doch weise—von Ananta umsorgt, dem Erhabenen, der die Beständigkeit der Welten trägt.

तथाlikewise
तथा:
Sambandha (Manner)
TypeIndeclinable
Rootतथा (अव्यय)
Formप्रकार-अव्यय (adverb: likewise/thus)
ब्रह्माBrahmā
ब्रह्मा:
Karta (Subject/कर्ता)
TypeNoun
Rootब्रह्मन् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति (Nominative/1st), एकवचन
अपिalso
अपि:
Sambandha (Particle)
TypeIndeclinable
Rootअपि (अव्यय)
Formसमुच्चय/अपेक्षा-अव्यय (particle: also/even)
अनन्तेनby Ananta
अनन्तेन:
Karana (Instrument/Agent-instr./करण)
TypeNoun
Rootअनन्त (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (Instrumental/3rd), एकवचन
लोकानाम्of the worlds
लोकानाम्:
Sambandha (Genitive relation/सम्बन्ध)
TypeNoun
Rootलोक (प्रातिपदिक)
Formपुंलिङ्ग, षष्ठी-विभक्ति (Genitive/6th), बहुवचन
स्थितिकारिणाby the maintainer (of stability)
स्थितिकारिणा:
Karana (Instrument/Agent-instr./करण)
TypeNoun
Rootस्थिति + कारिन् (प्रातिपदिक)
Formपुंलिङ्ग, तृतीया-विभक्ति (Instrumental/3rd), एकवचन; तत्पुरुषः (स्थितेः कारिन्)
अन्वास्यमानःbeing attended upon
अन्वास्यमानः:
Karta (Subject/कर्ता)
TypeAdjective
Rootअनु + आस् (धातु)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; कर्मणि-प्रयोगे शानच्-प्रत्ययान्त वर्तमानकृदन्त (passive present participle) ‘being attended/served’
भगवान्the Blessed Lord
भगवान्:
Karta (Apposition/कर्ता-सम्बन्ध)
TypeNoun
Rootभगवत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन
वृद्धःold/aged
वृद्धः:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootवृद्ध (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; विशेषण
अपिeven though
अपि:
Sambandha (Concessive particle)
TypeIndeclinable
Rootअपि (अव्यय)
Formअपेक्षा-अव्यय (particle: even/though)
अथthen/thereupon
अथ:
Sambandha (Discourse particle)
TypeIndeclinable
Rootअथ (अव्यय)
Formअनन्तर/प्रसङ्ग-अव्यय (particle: then/and now)
and
:
Sambandha (Connector)
TypeIndeclinable
Rootच (अव्यय)
Formसमुच्चय-अव्यय (conjunction)
बुद्धिमान्wise/intelligent
बुद्धिमान्:
Visheshana (Qualifier/विशेषण)
TypeAdjective
Rootबुद्धि + मत् (प्रातिपदिक)
Formपुंलिङ्ग, प्रथमा-विभक्ति, एकवचन; मतुप्-प्रत्ययान्त (possessive adjective)

Narrator (Purāṇic narrator; specific dialogue-pair not explicit from the single verse provided)

Concept: Even Brahmā’s creative authority is attended and stabilized by Ananta, the sustaining principle—implying that true power is grounded in divine support, not mere seniority or age.

Application: Seek stability through service and alignment with sustaining principles (discipline, devotion, responsibility). Honor elders and wisdom, yet recognize dependence on higher support.

Primary Rasa: shanta

Secondary Rasa: adbhuta

Type: celestial_realm

Visual Art Cues: {"scene_description":"Ananta, vast and luminous, coils like a living horizon beneath the cosmos; his many hoods form a jeweled canopy. Before him sits Brahmā—aged yet radiant with wisdom—receiving silent attendance, as if the very principle of stability is respectfully upholding the creator’s work.","primary_figures":["Ananta-Śeṣa","Brahmā (Pitāmaha)","Vishnu (implied presence through Ananta’s identity)"],"setting":"Cosmic ocean-edge blending into a subtle netherworld-celestial threshold; stars above, deep waters below, worlds suggested in miniature.","lighting_mood":"moonlit","color_palette":["deep indigo","pearl white","emerald green","gold","coral red"],"tanjore_prompt":"Tanjore painting style: Ananta-Śeṣa with multiple jeweled hoods forming an ornate arch, gold leaf highlights on scales and crowns; Brahmā seated respectfully, four faces serene; rich reds and greens, gem-studded ornaments, cosmic ocean rendered as patterned blue with gold ripples.","pahari_prompt":"Pahari miniature style: lyrical cosmic ocean with delicate wave lines; Ananta as elegant serpent with softly shaded hoods; Brahmā portrayed with refined facial features, calm gaze; cool palette, subtle starry sky, minimalistic yet poetic composition.","kerala_mural_prompt":"Kerala mural style: bold black outlines, Ananta’s hoods in rhythmic symmetry, Brahmā centered with iconic four faces; strong red-yellow-green palette, temple-wall aesthetic, stylized cosmic bands indicating worlds’ stability.","pichwai_prompt":"Pichwai cloth painting style: Ananta’s hoods forming a floral-serpentine canopy with lotus motifs; Brahmā seated amid patterned borders; deep blue ground with gold detailing, symmetrical devotional geometry, peacock-feather-like hood patterns."}

Audio Atmosphere: {"recitation_mood":"meditative","suggested_raga":"Durga","pace":"slow-meditative","voice_tone":"serene","sound_elements":["low oceanic hum","soft temple bells","conch shell (very distant)","silence"]}

Sandhi Resolution Notes: ब्रह्मापि = ब्रह्मा + अपि; भगवान्वृद्धोऽपि = भगवान् + वृद्धः + अपि (visarga/sandhi); ‘अन्वास्यमानः’ from अनु+आस् in passive participial form.

B
Brahmā
A
Ananta (Śeṣa)

FAQs

It presents Ananta as the cosmic sustainer—one who upholds the stability (sthiti) of the worlds—and as a divine attendant even to Brahmā.

Although placed in the creation-focused Sṛṣṭikhaṇḍa, it highlights that cosmic order depends on preservation: Brahmā’s creative role is shown alongside Ananta’s stabilizing function.

Wisdom and divine order are honored over mere seniority: even an aged Brahmā is described as “wise,” while service (attendance) by a great cosmic being is portrayed as aligned with dharma and proper hierarchy.