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Shloka 18

Śatrughna’s Entry into Ahicchatrā

Temptation of Sumada and the Goddess’s Boon

अथ निश्चितमालोक्य पादपद्मे स्वकेंऽबिका । जितेंद्रियं महाराजं प्रत्यक्षाभूत्सुतोषिता

atha niścitamālokya pādapadme svakeṃ'bikā | jiteṃdriyaṃ mahārājaṃ pratyakṣābhūtsutoṣitā

Dann, als Ambikā sah, dass der große König, der seine Sinne bezwungen hatte, fest entschlossen an ihren Lotosfüßen verweilte, erschien sie, hoch erfreut, unmittelbar.

अथthen
अथ:
Avyaya (सम्बन्ध/क्रम)
TypeIndeclinable
Rootअथ (अव्यय)
Formअनन्तरार्थक-अव्यय (then/thereupon)
निश्चितम्the decision, what was resolved
निश्चितम्:
Karma (Object/कर्म)
TypeAdjective
Rootनि-चित् (धातु) + क्त (प्रत्यय)
Formक्त-प्रत्ययान्त, नपुंसकलिङ्ग, द्वितीया (2nd/कर्म), एकवचन; कर्मरूपेण (as something decided)
आलोक्यhaving looked at, having observed
आलोक्य:
Kriya (पूर्वक्रिया)
TypeVerb
Rootआ-लोक् (धातु)
Formक्त्वान्त-अव्यय (absolutive/gerund), पूर्वकालिक क्रिया
पादपद्मेat the lotus-feet (two feet)
पादपद्मे:
Adhikarana (Locative/अधिकरण)
TypeNoun
Rootपाद (प्रातिपदिक) + पद्म (प्रातिपदिक)
Formषष्ठी-तत्पुरुष (पादस्य पद्मम्), नपुंसकलिङ्ग, सप्तमी (7th/अधिकरण), द्विवचन
स्वकेat her own
स्वके:
Adhikarana (विशेषण)
TypeAdjective
Rootस्वक (प्रातिपदिक)
Formनपुंसकलिङ्ग, सप्तमी (7th/अधिकरण), द्विवचन; विशेषण (पादपद्मे)
अम्बिकाAmbikā (the Goddess)
अम्बिका:
Karta (Subject/कर्ता)
TypeNoun
Rootअम्बिका (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/कर्ता), एकवचन
जितेन्द्रियम्one who has conquered the senses
जितेन्द्रियम्:
Karma (विशेषण)
TypeAdjective
Rootजित (जि धातु + क्त) + इन्द्रिय (प्रातिपदिक)
Formकर्मधारय/तत्पुरुष (इन्द्रियाणि जितानि यस्य), पुंलिङ्ग, द्वितीया (2nd/कर्म), एकवचन; विशेषण (महाराजम्)
महाराजम्the great king
महाराजम्:
Karma (Object/कर्म)
TypeNoun
Rootमहा (प्रातिपदिक) + राजन् (प्रातिपदिक)
Formकर्मधारयसमास, पुंलिङ्ग, द्वितीया (2nd/कर्म), एकवचन
प्रत्यक्षाmanifest, visible
प्रत्यक्षा:
Karta (Predicate/विधेय)
TypeAdjective
Rootप्रत्यक्ष (प्रातिपदिक)
Formस्त्रीलिङ्ग, प्रथमा (1st/कर्ता), एकवचन; विधेयविशेषण (to अम्बिका)
अभूत्became
अभूत्:
Kriya (Verb/क्रिया)
TypeVerb
Rootभू (धातु)
Formलङ्-लकार (imperfect/past), प्रथमपुरुष, एकवचन, परस्मैपद
सुतोषिताwell-pleased
सुतोषिता:
Karta (विशेषण)
TypeAdjective
Rootसु-तोषित (तुष् धातु + क्त)
Formक्त-प्रत्ययान्त, स्त्रीलिङ्ग, प्रथमा, एकवचन; विशेषण (अम्बिका)

Narrator (contextual; the verse reports an event rather than direct speech)

Concept: When resolve and self-control mature into surrendered devotion at the deity’s feet, the deity becomes directly manifest (pratyakṣa-darśana).

Application: Anchor practice in humble service—mentally place oneself at the Lord’s feet daily (prārthanā, nāma, seva). Let discipline support devotion rather than ego.

Primary Rasa: adbhuta

Secondary Rasa: shanta

Visual Art Cues: {"scene_description":"The king kneels with unwavering devotion at the luminous lotus-feet of Ambikā, his hands folded, eyes brimming with disciplined reverence. From a veil of subtle light, the Goddess materializes—first as a shimmer, then fully present—her form steady and compassionate, the air filled with sacred fragrance and a hush of awe.","primary_figures":["Ambikā (the Mother Goddess)","jitendriya king"],"setting":"A sanctified inner chamber or forest-shrine threshold where the mundane fades into the numinous; lotus motifs on the ground, incense smoke curling upward.","lighting_mood":"divine radiance","color_palette":["radiant gold","vermillion red","ivory white","sapphire blue","lotus pink"],"tanjore_prompt":"Tanjore painting style: Ambikā manifesting above a lotus pedestal with a brilliant gold leaf aura, the king prostrate at her feet; ornate jewelry, embossed gold borders, rich reds and greens, sacred lamps and stylized lotus patterns, the moment of ‘pratyakṣa’ shown as a luminous emergence from a gilded halo-cloud.","pahari_prompt":"Pahari miniature style: intimate darśana scene with soft gradients of light; the Goddess appearing gently, the king kneeling in refined profile; delicate floral ground, subtle incense trails, cool yet luminous palette with fine facial detailing and lyrical serenity.","kerala_mural_prompt":"Kerala mural style: Ambikā with bold outlines and iconic eye shapes, appearing frontally with a radiant circular aura; the king shown smaller at her feet in devotion; strong reds/yellows/greens, temple-wall composition, lotus base and ritual lamps emphasized.","pichwai_prompt":"Pichwai cloth painting style: central lotus throne with Ambikā emerging in divine glow, surrounded by intricate lotus borders and floral filigree; the king at the bottom in añjali-mudrā; deep blue background with gold highlights, symmetrical decorative motifs conveying sacred revelation."}

Audio Atmosphere: {"recitation_mood":"devotional","suggested_raga":"Bhairavi","pace":"slow-meditative","voice_tone":"reverent-soft","sound_elements":["temple bells (gentle)","conch shell (distant)","incense crackle","soft drone (tanpura)","sudden hush at ‘pratyakṣābhūt’"]}

Sandhi Resolution Notes: स्वकेंऽबिका = स्वके + अम्बिका (ऽ = अवग्रह); प्रत्यक्षाभूत् = प्रत्यक्षा + अभूत्; जितेṃद्रियम् normalized as जितेन्द्रियम्.

A
Ambikā

FAQs

Ambikā is a name of the Goddess (Devī), here portrayed as granting direct vision (pratyakṣa-darśana) when pleased.

His self-mastery—jitendriya, “conqueror of the senses”—and his firm resolve at the Goddess’s lotus-feet are highlighted as the basis for divine grace.

Steadfast resolve, humility at the divine feet, and control of the senses are presented as conditions that lead to spiritual fruition—here symbolized by the Goddess’s direct manifestation.