Adhyaya 45 — Jaimini’s Cosmological Questions and the Opening of Markandeya’s Account of Primary Creation
महताचावृतः सोऽपि यथाव्यरक्तेन वै महान् ।
भूतादिस्तु विकुर्वाणः शब्दतन्मात्रकन्ततः ॥
mahatā cāvṛtaḥ so 'pi yathāvyaraktena vai mahān | bhūtādis tu vikurvāṇaḥ śabdatanmātrakam tataḥ ||
Auch dieser Ahaṅkāra ist von Mahat umhüllt, wie Mahat vom Unmanifesten umhüllt ist. Dann bringt der bhūtādi (der tāmasa-Ahaṅkāra), indem er sich wandelt, das feinstoffliche Element des Klanges hervor: śabda-tanmātra.
{ "primaryRasa": "adbhuta", "secondaryRasa": "jnana", "rasaIntensity": 0, "emotionalArcPosition": "", "moodDescriptors": [] }
The world is explained as a cascade from subtle to gross. Since sound is first among tanmātras, disciplined speech (satya, hita) is implicitly elevated as foundational to order.
Sarga: continues the emanation chain into tanmātras, beginning with śabda.
Sound as the first subtle element resonates with mantra-doctrine: vibration precedes form. The ‘coverings’ suggest that gross perception is layered over subtler realities.