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Shloka 44

Bhīṣma’s Śara-śayyā Stuti to Vāsudeva and Yogic Preparation for Dehotsarga

Body-Relinquishment

चतुर्भिश्न चतुर्भिश्च द्वाभ्यां पजचभिरेव च । हयते च पुनर्द्धाभ्यां तस्मै होमात्मने नम:,चार, चारः, दोः, पाँचे४ और दोः--इन सत्रह अक्षरोंवाले मन्त्रोंसे जिन्हें हविष्य अर्पण किया जाता है, उन होमस्वरूप परमेश्वरको नमस्कार है

caturbhiś ca caturbhiś ca dvābhyāṃ pañcabhir eva ca | hayate ca punar dvābhyāṃ tasmai homātmane namaḥ ||

Bhishma sprach: „Ehrerbietung dem höchsten Herrn, dessen Wesen das Homa ist—dem man die Opfergaben durch Mantras von siebzehn Silben darbringt, geordnet als vier und vier, dann zwei und fünf und wiederum zwei.“

चतुर्भिःwith four (syllables/letters)
चतुर्भिः:
Karana
TypeAdjective
Rootचतुर्
FormMasculine/Neuter, Instrumental, Plural
and
:
TypeIndeclinable
Root
चतुर्भिःwith four
चतुर्भिः:
Karana
TypeAdjective
Rootचतुर्
FormMasculine/Neuter, Instrumental, Plural
and
:
TypeIndeclinable
Root
द्वाभ्याम्with two
द्वाभ्याम्:
Karana
TypeAdjective
Rootद्वि
FormMasculine/Neuter, Instrumental, Dual
पञ्चभिःwith five
पञ्चभिः:
Karana
TypeAdjective
Rootपञ्चन्
FormMasculine/Neuter, Instrumental, Plural
एवindeed/just
एव:
TypeIndeclinable
Rootएव
and
:
TypeIndeclinable
Root
हूयतेis offered (as oblation)
हूयते:
TypeVerb
Rootहु
FormPresent, 3rd, Singular, Passive
and
:
TypeIndeclinable
Root
पुनःagain
पुनः:
TypeIndeclinable
Rootपुनः
द्वाभ्याम्with two
द्वाभ्याम्:
Karana
TypeAdjective
Rootद्वि
FormMasculine/Neuter, Instrumental, Dual
तस्मैto him/to that (deity)
तस्मै:
Sampradana
TypePronoun
Rootतद्
FormMasculine/Neuter, Dative, Singular
होमात्मनेto the one whose nature is oblation (Homa)
होमात्मने:
Sampradana
TypeNoun
Rootहोमात्मन्
FormMasculine, Dative, Singular
नमःsalutation
नमः:
TypeNoun
Rootनमस्
FormNeuter, Nominative, Singular

भीष्म उवाच

B
Bhishma
H
Homa (sacrificial offering)
P
Parameshvara (implied Supreme Lord)

Educational Q&A

The verse teaches reverence for the Supreme as the inner reality of sacrificial action: mantras and offerings are not merely external rites but disciplined, meaningful acts directed to the divine who is identified with the very essence of homa.

In the Shanti Parva’s instruction on dharma and sacred practice, Bhishma offers a mantra-like salutation, describing a specific seventeen-syllable arrangement used for offering oblations and bowing to the Lord characterized as ‘homa itself’.