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Shloka 42

नरनारायण-नारदसंवादः

Nara-Nārāyaṇa–Nārada Discourse on Vision, Elements, and Entry into Vāsudeva

सर्वेषामृद्धिकामानामन्ये रथपुर:सरा: । मनुष्याश्ष गतस्त्रीका: शतशो विविधस्त्रिय:,सभी मनुष्य धन और समृद्धि चाहते हैं; परंतु उनमेंसे थोड़े-से ही ऐसे लोग होते हैं, जो रथपर चढ़कर चलते हैं। कितने ही पुरुष स्त्रीरहित हैं और सैकड़ों मनुष्य कई स्त्रियोंवाले हैं

sarveṣām ṛddhi-kāmānām anye ratha-puraḥsarāḥ | manuṣyāś ca gata-strīkāḥ śataśo vividha-striyaḥ ||

Nārada sprach: „Alle begehren Reichtum und Wohlstand; doch nur wenige bewegen sich an der Spitze, auf Wagen fahrend. Viele Männer leben ohne Frau, während Hunderte viele Frauen verschiedenster Art haben.“

सर्वेषाम्of all (people)
सर्वेषाम्:
Adhikarana
TypeAdjective
Rootसर्व
FormMasculine/Neuter, Genitive, Plural
ऋद्धि-कामानाम्of those desiring prosperity/wealth
ऋद्धि-कामानाम्:
Adhikarana
TypeNoun
Rootऋद्धिकाम
FormMasculine, Genitive, Plural
अन्येothers
अन्ये:
Karta
TypePronoun/Adjective
Rootअन्य
FormMasculine, Nominative, Plural
रथ-पुरः-सराःgoing in front with chariots / chariot-leading
रथ-पुरः-सराः:
Karta
TypeAdjective
Rootरथपुरःसर
FormMasculine, Nominative, Plural
मनुष्याःmen/people
मनुष्याः:
Karta
TypeNoun
Rootमनुष्य
FormMasculine, Nominative, Plural
गत-स्त्रीकाःthose whose women are gone; wife-less
गत-स्त्रीकाः:
Karta
TypeAdjective
Rootगतस्त्रीक
FormMasculine, Nominative, Plural
शतशःby hundreds; in hundreds
शतशः:
Adhikarana
TypeIndeclinable
Rootशतशस्
Formtrue
विविध-स्त्रियःhaving various/many women (wives)
विविध-स्त्रियः:
Karta
TypeNoun
Rootविविधस्त्री
FormFeminine, Nominative, Plural

नारद उवाच

N
Nārada
R
ratha (chariot)
M
manuṣyāḥ (people/men)
S
striyaḥ (women/wives)

Educational Q&A

The verse highlights the uneven distribution of worldly fortunes: although everyone seeks prosperity, only a few attain visible status and privilege, and even domestic life (marriage) is not uniformly available—some lack it while others possess it in excess. It implicitly urges reflection on desire, contentment, and the ethical use of prosperity.

Nārada is speaking in the Śānti Parva’s didactic setting, offering an observation about human society: universal longing for wealth contrasts with the reality that only a minority enjoy elite comforts (symbolized by chariots), while marital circumstances vary widely from deprivation to abundance.