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Shloka 27

अस्त्रयुद्धे द्रौणिपार्थसंघर्षः — Karṇa’s Bhārgavāstra and the Search for Yudhiṣṭhira

Chapter 45

बा्स्पत्य: सुविहितो नायकेन विपश्चिता । नृत्यतीव महाव्यूह: परेषां भयमादधत्‌,विद्वान्‌ सेनापति कर्णके द्वारा बृहस्पतिकी बतायी हुई रीतिके अनुसार भलीभाँति रचा गया वह महान्‌ व्यूह शत्रुओंके मनमें भय उत्पन्न करता हुआ नृत्य-सा कर रहा था

bārhaspatyaḥ suvihito nāyakena vipaścitā | nṛtyatīva mahāvyūhaḥ pareṣāṃ bhayam ādadat ||

Sañjaya sprach: Die gewaltige Schlachtordnung—vom weisen Feldherrn mit größter Genauigkeit nach der von Bṛhaspati gelehrten Kriegskunst gefügt—schien wie ein Tanz sich zu bewegen und doch Furcht in die Herzen der Gegner zu senken.

बृहस्पत्यःBṛhaspati (the preceptor)
बृहस्पत्यः:
Karta
TypeNoun
Rootबृहस्पति
FormMasculine, Nominative, Singular
सुविहितःwell-arranged/skillfully formed
सुविहितः:
Karta
TypeAdjective
Rootसु-विहित
FormMasculine, Nominative, Singular
नायकेनby the leader
नायकेन:
Karana
TypeNoun
Rootनायक
FormMasculine, Instrumental, Singular
विपश्चिताby the wise/learned one
विपश्चिता:
Karana
TypeAdjective
Rootविपश्चित्
FormMasculine, Instrumental, Singular
नृत्यdances
नृत्य:
Karta
TypeVerb
Rootनृत्
FormPresent, Third, Singular
इवas if/like
इव:
TypeIndeclinable
Rootइव
महाव्यूहःthe great battle-formation
महाव्यूहः:
Karta
TypeNoun
Rootमहाव्यूह
FormMasculine, Nominative, Singular
परेषाम्of the enemies/others
परेषाम्:
TypeNoun
Rootपर
FormMasculine, Genitive, Plural
भयम्fear
भयम्:
Karma
TypeNoun
Rootभय
FormNeuter, Accusative, Singular
आदधत्placing/producing (fear)
आदधत्:
Karta
TypeVerb
Rootआ-धा
FormMasculine, Nominative, Singular, शतृ (present active participle)

संजय उवाच

संजय (Sañjaya)
बृहस्पति (Bṛhaspati)
महाव्यूह (mahāvyūha, great battle-formation)
नायक/सेनापति (commander; implied—Karna in context of Karṇa Parva)

Educational Q&A

The verse highlights that in warfare, disciplined organization guided by learned counsel is itself a force: a well-designed formation can intimidate and destabilize the enemy psychologically. Ethically, it points to the power—and responsibility—of intelligent leadership, since strategy can magnify harm even before direct combat.

Sañjaya describes a massive battle-array on the Kaurava side, arranged according to the Bṛhaspati tradition of tactics by a wise commander (contextually, under Karṇa’s command). The formation advances with coordinated, almost dance-like motion, and its very appearance and movement spreads fear among the opposing army.