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Shloka 4

Arjuna–Bhīṣma Strategic Engagement and Mutual Arrow-Interdiction (भीष्मार्जुनसमागमः)

क्षेेडा: किलकिलाशब्दा: क्रकचा गोविषाणिका: । भेरीमृदड़मुरजा हयकुञ्जरनि:स्वना:

kheḍāḥ kilakilāśabdāḥ krakacā govīṣāṇikāḥ | bherīmṛdaṅgamurajā hayakuñjaraniḥsvanāḥ ||

Sañjaya sprach: „Da erhob sich ein Getöse von Lauten — Zurufe und schrille Schreie, das raue Dröhnen von Instrumenten wie dem krakaca und dem Kuhhorn, das Wummern von bhērī-, mṛdaṅga- und muraja-Trommeln, dazu das donnernde Wiehern der Pferde und das Brüllen der Elefanten.“

क्षेडाःshouts/cries (of excitement)
क्षेडाः:
Karta
TypeNoun
Rootक्षेडा
FormFeminine, Nominative, Plural
किलकिलाशब्दाःsounds of ululation/war-whoops
किलकिलाशब्दाः:
Karta
TypeNoun
Rootकिलकिला-शब्द
FormMasculine, Nominative, Plural
क्रकचाःsaw-like instruments (a kind of war-instrument)
क्रकचाः:
Karta
TypeNoun
Rootक्रकच
FormMasculine, Nominative, Plural
गोविषाणिकाःcow-horns (horn-trumpets)
गोविषाणिकाः:
Karta
TypeNoun
Rootगो-विषाणिका
FormFeminine, Nominative, Plural
भेर्यःkettledrums
भेर्यः:
Karta
TypeNoun
Rootभेरी
FormFeminine, Nominative, Plural
मृदङ्गाःmṛdaṅga drums
मृदङ्गाः:
Karta
TypeNoun
Rootमृदङ्ग
FormMasculine, Nominative, Plural
मुरजाःmura-ja drums
मुरजाः:
Karta
TypeNoun
Rootमुरज
FormMasculine, Nominative, Plural
हयकुञ्जरनिःस्वनाःneighing and trumpeting sounds of horses and elephants
हयकुञ्जरनिःस्वनाः:
Karta
TypeNoun
Rootहय-कुञ्जर-निःस्वन
FormMasculine, Nominative, Plural

संजय उवाच

S
Sañjaya
P
Pāṇḍava army
K
Kaurava army
K
krakaca (instrument)
G
govīṣāṇikā (cow-horn trumpet)
B
bherī (kettledrum)
M
mṛdaṅga (drum)
M
muraja (drum)
H
horses (haya)
E
elephants (kuñjara)

Educational Q&A

The verse does not give a direct moral injunction; its ethical force is contextual: it portrays how war rapidly becomes an overwhelming sensory and emotional storm. In the Mahābhārata’s dharma-discourse, such descriptions underscore the gravity of choosing war—once begun, it sweeps up individuals bound by duty, loyalty, and vows, making discernment and restraint difficult.

Sañjaya reports the opening surge of combat: battle-cries, instruments, drums, and the cries of horses and elephants rise together as the armies close. The verse functions as a soundscape of escalation, marking the transition from formation and readiness to active, fierce engagement.