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Shloka 13

कुन्तीनिवर्तनप्रयत्नः तथा वननिवासप्रारम्भः

Attempt to Dissuade Kuntī; Commencement of Forest Residence

इयं च राज्ञो मगधाधिपस्य सुता जरासन्ध इति श्रुतस्य । यवीयसो माद्रवतीसुतस्य भार्या मता चम्पकदामगौरी,साथ ही यह जो चम्पाकी मालाके समान गौरवर्णवाली सुन्दरी बैठी हुई है, यह सुविख्यात मगधनरेश जरासंधकी पुत्री एवं माद्रीके छोटे पुत्र सहदेवकी भार्या है

iyaṁ ca rājño magadhādhipasya sutā jarāsandha iti śrutasya | yavīyaso mādravatīsutasya bhāryā matā campakadāmagaurī ||

Sañjaya sprach: „Und diese hellhäutige Frau, strahlend wie ein Kranz aus Campaka-Blüten, ist bekannt als Tochter Jarāsandhas, des berühmten Königs und Herrn von Magadha. Sie gilt als Gemahlin Sahadevas, des jüngeren Sohnes, den Mādrī gebar.“

इयम्this (woman)
इयम्:
Karta
TypePronoun
Rootइदम्
FormFeminine, Nominative, Singular
and
:
TypeIndeclinable
Root
राज्ञःof the king
राज्ञः:
TypeNoun
Rootराजन्
FormMasculine, Genitive, Singular
मगधाधिपस्यof the ruler of Magadha
मगधाधिपस्य:
TypeNoun
Rootमगधाधिप
FormMasculine, Genitive, Singular
सुताdaughter
सुता:
Karta
TypeNoun
Rootसुत
FormFeminine, Nominative, Singular
जरासन्धःJarasandha
जरासन्धः:
TypeNoun
Rootजरासन्ध
FormMasculine, Nominative, Singular
इतिthus; as
इति:
TypeIndeclinable
Rootइति
श्रुतस्यof the renowned/heard-of (one)
श्रुतस्य:
TypeAdjective
Rootश्रुत
FormMasculine, Genitive, Singular
यवीयसःof the younger (one)
यवीयसः:
TypeAdjective
Rootयवीयस्
FormMasculine, Genitive, Singular
माद्रवतीसुतस्यof the son of Madri (i.e., Sahadeva)
माद्रवतीसुतस्य:
TypeNoun
Rootमाद्रवतीसुत
FormMasculine, Genitive, Singular
भार्याwife
भार्या:
Karta
TypeNoun
Rootभार्या
FormFeminine, Nominative, Singular
मताconsidered; regarded
मता:
TypeAdjective
Rootमत
FormFeminine, Nominative, Singular
चम्पकदामगौरीthe fair lady like a garland of champaka-flowers
चम्पकदामगौरी:
Karta
TypeNoun
Rootचम्पकदामगौरि
FormFeminine, Nominative, Singular

संजय उवाच

S
Sanjaya
M
Magadha
J
Jarāsandha
M
Mādrī
S
Sahadeva
C
campaka flower garland (campaka-dāma)

Educational Q&A

The verse underscores the dharmic importance of correctly recognizing persons through lineage and lawful relationships (wifehood, parentage). In the Ashramavāsika setting, such identification also serves remembrance and accountability—connecting individuals to the moral and political histories of their houses.

Sanjaya is identifying a seated woman by describing her appearance and then stating her family and marital ties: she is the daughter of Jarāsandha, ruler of Magadha, and the wife of Sahadeva, the younger son of Mādrī.