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Shloka 11

Bhaṅgāśvanopākhyāna — On comparative affection in strī–puruṣa union (भङ्गाश्वनोपाख्यानम्)

इस प्रकार श्रीमहाभारत अनुशासनपरव्वके अन्तर्गत दानधर्मपर्वमें लक्ष्मी और रुक्मिणीका संवादविषयक ग्यारहवाँ अध्याय पूरा हुआ,आत्मानं स्त्रीकृतं दृष्टवा व्रीडितो नृपसत्तम: । चिन्तानुगतसर्वात्मा व्याकुलेन्द्रियचेतन:

ātmānaṃ strīkṛtaṃ dṛṣṭvā vrīḍito nṛpasattamaḥ | cintānugata-sarvātmā vyākulendriya-cetanaḥ ||

So endete im Śrī Mahābhārata, im Anuśāsana Parva innerhalb des Dāna-dharma Parva, das elfte Kapitel über den Dialog zwischen Lakṣmī und Rukmiṇī. Als der erhabenste der Könige sich selbst in eine Frau verwandelt sah, wurde er von Scham überwältigt. Sein ganzes Wesen versank in ängstlichem Grübeln, und Sinne wie Geist gerieten in Unruhe und Schwanken.

आत्मानम्self
आत्मानम्:
Karma
TypeNoun
Rootआत्मन्
FormMasculine, Accusative, Singular
स्त्रीकृतम्made into a woman / feminized
स्त्रीकृतम्:
Karma
TypeAdjective
Rootस्त्रीकृत (स्त्री + कृत)
FormMasculine, Accusative, Singular
दृष्ट्वाhaving seen
दृष्ट्वा:
TypeVerb
Rootदृश्
FormAbsolutive (Gerund)
व्रीडितःashamed
व्रीडितः:
TypeAdjective
Rootव्रीडित (व्रीड्/व्री + क्त)
FormMasculine, Nominative, Singular
नृपसत्तमःthe best of kings
नृपसत्तमः:
Karta
TypeNoun
Rootनृपसत्तम (नृप + सत्तम)
FormMasculine, Nominative, Singular
चिन्तानुगतसर्वात्माwhose whole being was absorbed in thought
चिन्तानुगतसर्वात्मा:
TypeAdjective
Rootचिन्तानुगतसर्वात्मन् (चिन्ता + अनुगत + सर्व + आत्मन्)
FormMasculine, Nominative, Singular
व्याकुलेन्द्रियचेतनःwhose senses and mind were agitated
व्याकुलेन्द्रियचेतनः:
TypeAdjective
Rootव्याकुलेन्द्रियचेतन (व्याकुल + इन्द्रिय + चेतन)
FormMasculine, Nominative, Singular

भीष्म उवाच

B
Bhishma
N
nṛpasattama (an unnamed foremost king)

Educational Q&A

The verse highlights the ethical psychology of shame and inner turmoil: when one’s identity and social self-image are suddenly overturned, the mind and senses become disturbed. It implicitly points toward the need for steadiness, self-governance, and reflection so that one’s conduct remains aligned with dharma even amid disorienting change.

In Bhishma’s narration, an eminent king witnesses himself changed into a woman. The shock produces embarrassment and intense worry; his entire inner life becomes absorbed in anxious thought, and his sensory and mental faculties are thrown into agitation.