उमास्वयंवरः / भवोद्वाहः, गणसमागमः, अविमुक्तक्षेत्रमाहात्म्यम्, तथा विनायक-उत्पत्तिसूचना
संनामश् च शतेनैव कुमुदः कोटिभिस् तथा अमोघः कोकिलश्चैव कोटिकोट्या सुमन्त्रकः
saṃnāmaś ca śatenaiva kumudaḥ koṭibhis tathā amoghaḥ kokilaścaiva koṭikoṭyā sumantrakaḥ
Er ist Saṃnāma, mit hundertfachen Lobpreisungen gepriesen; Kumuda, von Millionen verehrt; Amogha, dessen Gnade niemals fehlgeht; Kokila, süßstimmig in der Offenbarung; und Sumantraka, von unzähligen Krores durch glückverheißende Mantras angerufen.
Suta Goswami (narrating Shiva Sahasranama to the sages of Naimisharanya)
It frames Linga-worship as Nama-upasana: by repeating Shiva’s names—especially those indicating unfailing grace (Amogha) and mantra-lordship (Sumantraka)—the devotee approaches the Pati through sound (mantra) and devotion (bhakti).
Shiva is presented as Amogha—his śakti and anugraha (liberating grace) never become fruitless; he is also Sumantraka, the ground of mantra through which the bound pashu is led beyond pāśa (bondage) toward union with the Pati.
Nama-japa and mantra-sādhana are implied: reciting the Sahasranama as a disciplined practice supports Pashupata-oriented purification of mind and speech, making worship effective and spiritually transformative.